New Year

Dear  Fellow Iconographers and Friends:

christingloryweb
Christ in Glory Icon written by Christine Hales

As we contemplate the New Year ahead, Icons have an important role to play in shaping the structure and content of our lives, for they are signs pointing the way to the future. How does that work? In my prayer practice and in my choice of Icons to write, I choose Icons that will be effective in directing my attention and prayers to the outcomes, wisdom, and direction I am seeking.

John the Baptist Icon
John the Baptist Icon written by Dahlia Herring

 

“Where there is no vision, the people perish.”  Proverbs 29:18

Whatever your political leanings, there has never been a more important time to pray and to write Icons. For in choosing which Icons to write, we can call forth, through prayer, the guidance and assistance of the community of saints who have gone before us. Mysterious and powerful, the Byzantine Holy images that were created hundreds of centuries ago, contain a window into the Divine that is sometimes hard to locate in our contemporary world. In the prayerful atmosphere of meditation and contemplation with an Icon, we enter into that holy, creative space where we listen to God and receive Holy Wisdom.

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Saint Kateri Icon written by Jennifer Richard-Morrow

Some examples of Icons that relate to this concept of praying and contemplation with a purpose are: Christ, calling forth Unity, forgiveness and discernment; Julian of Norwich, calling forth peace;  Saint Anthony the Great, father of monasticism and defeater of demonic temptations; Saint Michael the Archangel, Protector of the world; The Madonna, protector of children everywhere; the list is endless.  In fact,it would be interesting and you are invited to list your own favorite Icons and saints in the comments section below.

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Christ in Majesty Icon written by Rev. W. Michael Shirk

 

 

MEMBERSHIP

If you are interested in contributing to the American Association of Iconographers blog or if you’d like to become a member, please add your name and information in the comments section below.

 

In speaking about one of her Icon writing classes, Iconographer Mary Jane Miller states: “The main goal of the study is to cultivate a clear and conscious image that becomes a lasting window to the Divine”  It is precisely this that Icons and Icon writing have to offer.  The more clearly we pray, create our vision with God’s  help, we bring God’s grace and intervention to the very world we live in.  While Icons are most often seen in the context of liturgical worship within the Church, their place is also needed in our individual worlds outside the church, helping us to minister to those around us by granting us access to heaven through the Icons.

If you’d like to make an Icon workshop part of your 2017 Spiritual Plan, I will be teaching three this year.  The first one will be an advanced Icon writing workshop held at the beautiful Holy Cross Monastery in West Park, NY, March 21-24. It is for those who have previous experience and wish to continue. Individual instruction and demonstrations will be provided.

May God continue to bless you in 2017, and may your prayer reach extend to all those in need in your community and in your nation and the world.

Blessings and prayers,   Christine Simoneau Hales

www.newchristianicons.com

my-joshua-icon
Joshua Icon written by Carol MacNaughton

 

Heat Wave and Icons!

Hello Fellow Iconographers and Greetings:

Christine at the High Line Garden in NYC
Christine at the High Line Garden in NYC

Polar Bear Zinnia in Christine's garden in Hudson Valley
Polar Bear Zinnia in Christine’s garden in Hudson Valley

The month of July has been consistently hot and so beautiful here in the Hudson Valley. Although temperatures usually reach 90 degrees+ each day, Icons are still being created and the Monday night class keeps working right on throughout all!  Here’s a photo of Carol MacNaughtons’ Saint Michael in the process of being olifa-ed.

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Also, now some works in progress photos for the Saint Kateri and Saint Isaac Jogues I am working on for the RCDA new Mausoleum.  I love working large!

The Monday Night Advanced Icon writing class will be accepting new students after Labor Day: September 12.  Please email if you would like to begin at that time. christine@newchristianicons.com

Also, Starting a 10 week Icon Writing Class in the Hudson, NY area, Thursday evenings, 6-9PM, September 15- December 1.  email if you’re interested in attending: christine@newchristianicons.com

THE VALUE OF ICONS IN THE POST MODERN WORLD

Icons are conveyors of holiness, sacredness, beauty and God’s love for mankind. Because Icons are vessels containing these attributes, they are essential in the continuing formation of our society and culture.  In a world seemingly gone mad, they are light filled and providers of God’s peace and love.

Icons that are created in an atmosphere of prayer to God, and with training in art principles and spiritual discipline cannot help but provide a spiritual compass to those viewing them.  This kind Icon becomes a visible testimony of God’s grace as it blesses the creator and the viewer.

” There is a deeper realization of God’s Presence available to us.  Through the coming of Christ and the Holy Spirit, God wishes to dwell within us in a new way: not in a mode of which we are largely unconscious, or as a kind spiritual atmosphere in which we simply live and move and have our being (Acts 17:28), but as a lover and a friend. (Song of Solomon 5:10). God wants His Presence to be consciously experienced by us.”

Above quote from the The Glenstal Book of Icons, Praying with the Glenstal Icons, Gregory Collins OSB.

To be consciously experienced, it is helpful to have holy images that serve as reminders and point the Way, even when our minds are engaged in worldly activities. It only takes a few seconds to shift our perspective to God’s perspective – truly the secret to a joy filled life!

Face of Christ Icon written by C.Hales
Face of Christ Icon written by C.Hales

One last thing worth mentioning:  I attended the Kremer Pigments workshop on “Grounds” a through workshop on materials, conditions, and possible variations, and I would recommend it highly the next time they teach it. Kremer Pigments regularly gives classes and workshops on making paints and provides a wonderful resource of technical, hands-on information.

That’s all for this month.  Enjoy the beautiful summer and please keep me in your prayers, as you are in mine.

Blessings,

Christine

www.newchristianicons.com        www.christinehales.com     www.kingdomartsministry.com

www.halesart.com

Formation and Training of Future Iconographers

altaarwestminsterwebDear Fellow Iconographers:

Following up on the blog from last month where I included the links to Iconographer Aidan Hart’s articles about Icon writing: “Introduction to Principles of Icon Training, and Principles of Icon Training Part 2 , another link has been recently published on a Russian website called mmekourdukova, which I also include here: “The Icon: Truth and Fables” by Irina Gorbunova.

Aidan Hart’s excellent articles attempt to define important principles in the training of future Iconographers, and I suggest reading each of these in order to form your own opinions, and discuss in class the important aspects of each article to your own Icon writing.  I think it’s important to keep an open mind and respect the calling of each person who has interest in Icons or creating Icons.  In the Russian( or Ukranian) article there is an element of mocking and sarcasm that I find detrimental to the humble and prayerful attitude necessary for Icon writing.  But please read, and add your own thoughts and comments._MG_8520

These two recent articles are only relevant because there are more people today interested and wanting to write Icons than in the previous century.  There can be many causes for that, but I like to think that as we explore our spirituality and gain a closer relationship to God, we need and want visual images that bring us fresh revelation of His love for mankind, his promises, His wisdom and faithfulness.  As we regularly bring these qualities of holiness to mind in our daily lives, we can then integrate them and share them with others around us.

It is often said that Icons are “windows” into the heavenly world.  When we look through those “windows” we see heaven, and are more able, as St. Paul advised ” to focus on whatever is good”.  Truly a challenge in todays world.

_MG_8554The other attractive aspect of Icon writing to me is that of “passing on” to the next generation all that I can offer in terms of living the Gospel message through Icon writing. Investing in the younger generation is a goal worthy of Icon writing in my opinion.  But how? How and what kind of  an Icon be created that will draw them in?  Good questions to ponder as we work on our Icons.

The recent Icon exhibition and pipe organ concert that I organized for the Albany, New York area at Westminster Presbyterian Church, was an experiment to see if contemporary New Yorkers would respond to Icons as art and vessels of God’s presence within the Byzantine context of worship with the five senses.  A lot of this was new information to some of the people, but familiar to others.  People came who simply wanted to see the Icons, and people came to hear composer and organist Al Fedak offer a phenomenal program of music played with a world class pipe organ.crucifixionwestminsterweb

I gave the introductory talk, introducing the concept of Byzantine worship, and Al Fedak explained the contemplative and meditative nature of the pieces he chose, and he also invited people to walk around, view and interact with the Icons.  My students and I who created the Icons were available during intermission and at the reception following to answer questions and help people understand more about what they were viewing.

It was truly  a memorable evening as we were lifted up and carried individually and collectively in worship on a Friday night in Albany amongst the community of saints! Icons on a mission!

Hope you all enjoy this beautiful summer, Happy Fourth of July!!

No Monday night Icon class on July 4!!

Please visit my website for information on upcoming Icon classes and retreats.

Have a blessed month,   _MG_8524

Christine Hales

Here’s a link to my Art/Icon Facebook page

and websites:  www.newchristianicons.com          www.christinehales.com     www.halesart.com

www.kingdomartsministry.com

 

 

 

 

 

Meditation and Contemplation

Dear Fellow Iconographers:

How do we meditate and contemplate God through the Icons?  A good question now that at least more than half the world I live in here in upstate New York associates the word “meditation” with Eastern philosophy.

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But Icons have a long history of being used in contemplation and meditation, and we specialize in bringing the valuable truths of the past into our present time.  Mystical Eastern spirituality has as its aim for the Icons “to open the heart in contemplative prayer to the transforming vision of God’s Glory.” The Glenstal Book of Icons.

Carl Jung wrote extensively on the power of symbols on our unconscious minds.  Symbolic imagery in Icons helps to bypass our intellect and send a message straight to our hearts. For example, I can’t see an image of Mary and the Christ child without immediately identifying with the the Christ Child, and sensing what it was like to be mothered by the gentle, sweet Mary, or identifying with Mary and deeply experiencing what it was like to hold Christ in her arms and nurture him so that he could flourish.  Whenever I see that image I think of my newest painting or Icon and ask in prayer, how can I be Mary to my painting? How can I be the Christ child in Mary’s arms to my art work?  Each time, in contemplation and meditation new facets and ideas come as a result. Ideas I would not have had otherwise.Top Met Paintings Before 1860 04 Duccio di Buoninsegna Madonna and Child

“Through the symbolism of the icons, access is gained to the absolute otherness of God in the silent union of mystical prayer: one goes through the sense of sight to the one who is beyond all vision. The meditative work demanded in absorbing the imagery of the icons is essential if  prayer is to reach such a state beyond ideas, images, and acts- beyond the work of the head.  Only thus can the prayer we make with the body and the mind become a real “heart work”, a deep transforming union with God in love. The mystical traditions of Christianity, East and West, all teach that such prayer is the only source of inner peace and stability.  It is the pearl of great price, the treasure hidden in the field, of which the Gospel speaks. Matthew 13:44-46″  The Glenstal Book of Icons, Gregory Collins, OSB    IMG_1580

The Saint Luke’s Guild of Iconography will be sharing our newest Icons with outreaches to the community this spring and early summer. We will try to share the stories of each saint in our Icons as well as have dialogue with the public about prayer and meditation with the Icons.  The first two venues are planned to be: Westminster Presbyterian Church in Albany, 1st Presbyterian church in Hudson. We plan to create a traveling exhibition so if your church would like to host one, and perhaps hear a lecture on Icons, let me know.  “Never forget the joy of spreading Icons throughout the world”!

RECOMMENDED SOURCE FOR ICON MATERIALS:

Natural Pigments  is an excellent source of tempera materials, gold leaf, anything you need to make Icons- they probably have.  They also have a section called “articles” another page on their website that is full of useful materials information.

UPCOMNG ICON WRITING CLASSES:

Albany, New York Westminster Presbyterian Church, Chestnut St., Monday evenings 6-9PM. Class size is limited-email to ensure space.

Holy Cross Monastery, West Park, NY  May 6-8 Friday night, all day Saturday and Sunday afternoon, Introduction to Icon Writing.

Here is a video that my husband, Michael who most of you know, made recently about art and the Creator.. Hope you enjoy it!

Until next month, be blessed!

Christine

ADVENT

Hello Fellow Iconographers:maryChrist.small

Yesterday was the lighting of the first candle of Advent. Hope! And today the President is in France and Pope Francis is returning from Africa. So many things to pray about in addition to our more intimate family and friends as well as for our own intentions.  You can see why life as an Iconographer is always a full one!  Praying and painting, painting and praying.

The Albany Advanced Icon Writing Class will be focusing on drawing in the New Year. Beginning February 8, there will be some new suggested readings as well as exercises and teachings to deepen the understanding of how prayer and drawing of the Icon work together.  We will use the Egon Sendler book “The Icon, Image of the Invisible” for 2016, exploring the chapters on inverse perspective and geometric structures with an understanding of how these relate to contemporary Icons.takeoffJPG

The three worlds of theology, art making, and science come together in the creation of an Icon to give it it’s transcendent quality. These three spheres of creativity open up the viewer to a new way of seeing things, through faith and contemplation. Understanding  the role these elements play in the creation of an Icon is increased through prayer, fasting, and practice.kahndetail

Many of the Icon students in the Albany class are deeply involved in faith communities and social justice. It is an ecumenical group with Methodist Ministers, Episcopalians, Independent Catholic priests, and regular Holy folk who are able through love and fellowship to discuss a variety of theological and social justice issues in a mutually supportive way.

Some of us are reading Walter Wink’s “The Powers That Be“, Theology for a New Millennium. Wink talks about how Jesus broke the spiral of violence through His death and resurrection and showed us a new way of living through non-violence. “Nonviolence leads not just to a new politics and a new society, however;it also involves the very personal task of forgiving our enemies.” Paraphrasing, Wink states that Jesus’ teachings of non violence and love of enemies will hold a central place in the re-forming of American culture. “Not because they are more true than any others, but because they are crucial in the struggle to overcome domination without creating new forms of domination.”burnignbush.web

Back to Egon Sendler’s reminders that the creation of an Icon is threefold- theology, art, and science.  How to create an Icon that functions with the power and faith that Icons did in the Byzantine era?  Pray for us! God will help us, because our century needs them too!

Here is a link to Natural Pigments – a good source for Iconography supplies of all kinds. This link is actually to a page that George O’Hanlon produces which has excellent technical information on painting practices.

UPCOMING CLASSES:  Holy Cross Monastery, May6,7&8 Introduction To Icon Writing

Arts Center of the Capital Region March 3-31, Thursday Evenings 6-9PM

 

May God bless you and keep you save and in His Love all through the Christmas season!

 

Christine

www.christinehales.com

www.newchristianicons.com

www.kingdomartsministry.com

Travels to the UK and Italy

Hello Fellow Iconographers:photo 1

The Beginning of September was the start of our trip to the UK for a family wedding in Leeds, but we were able to make a detour to Shropshire and interview Aidan Hart, Iconographer and author of the book we use in Icon writing class: “Techniques of Icon and Wall Painting”,  for Yale University Radio.

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I was so happy that Aidan could make time for us, and upon leaving he said that he had just completed a large Icon for a church in Leeds! We were in Leeds at Michael’s sister’s home about 15 minutes when we realized that church was a fifteen minute walk- so off we all went. The icons were beautiful, and Father Michael of St. Urban’s invited us to come the following morning to his other church, also in Leeds,  to see another Aidan Hart Icon. Once there, we were amazed to see the 16′ fresco of the Transfiguration that Aidan had recently completed – in ten days according to Fr. Michael. It is the largest commissioned fresco since the Reformation, he told us.

Here’s the interview:    photophoto 2

 

Our next travels took us to Venice to see the Biennale and the wonders of the Byzantine Cathedral of San Marco.  I’ll be giving a gallery talk this Saturday, Sept 26, 6-8pm at the McDaris Gallery on Warren St. Hudson that will touch on the Biennale and Byzantine art.  (You’re all welcome to attend!).

 

From Venice, we got to Rome, where we stayed at a convent within walking distance of the Vatican-our destination! God blessed me with achieving my heart’s desire to give Pope _MG_0831 (1)Francis the portrait I had done of him! At breakfast, the nun suggested that I might give my portrait of the Pope to him if the guards would help me. By God’s grace, we met a friendly Italian music composer at breakfast who offered to walk with us to the Vatican. after Mass, he began asking the guards around the Vatican if I could give my portrait to the Pope. He pleaded eloquently, in Italian, to seven sets of guards! Finally I was able to write a note to accompany my gift and the last guard _MG_0218 (1)promised that he would personally deliver it to the Pope the next morning! I was the happiest I could be! We had such a wonderful trip but that was the highlight for me. Seeing the Sistine Chapel again and the architecture in St. Peter’s Basilica, too, impressed me with a sense of excellence that can only be experienced in that place.photo 2photo 3

So, back to earth, the Albany advanced Icon writing class has changed venue and is now held on Monday nights 6-9PM at Westminster Presbyterian Church, 262 State St., Albany, NY.

Also coming up is the Introduction to Icon Writing Retreat at St. James Church on Madison Ave, in NYC, Oct 16-18. Registration is still open, email Grace Beecham at: GBeacham@stjames.org to register.

A Few Notes of Interest:photo 3

Stephan Rene will be lecturing at the Prince’s School of Traditional Arts on Coptic Iconography.

British Association of Iconographers will have its annual members exhibition October 14-16 at St. Saviour’s Church, St. George’s Square, London.

Until next month, be blessed,

+ Christine

“”A full reward will be given thee of the Lord God of Israel, under whose wings thou art come to trust.” Ruth 2:12

www.newchristianicons.com

Saint Luke’s Guild of Iconography

Hello Fellow Iconographers:

Such a beautiful summer.  God’s creation is never so felt and experienced as in the beautiful summer months and upstate NY has been in a sweet weather pattern for most of august with beautiful sunny warm days.

Our Saint Luke’s Gild is comprised of eight students, several of whom have studied Icon writing with for several years. The emphasis that I bring to the sacred art of Icon writing is that of color theory, fine art , and sacred geometry principles in composition.  The work of the guild members is unique and interesting, bringing both the spiritual qualities of prayer and sacred reading in an integrated approach to the creation of an icon with good fine art principles as well. _MG_3831

The Guild has a Facebook page: We are an ecumenical community of artists and artisans who are committed to making art that is reflective of a deep Spirituality and Faith in God. We do this primarily through the practice of writing Christian icons and studying the historical background and hymnody, and lectio divina relationships within the visual imagery of iconography. We believe in the didactic value of icons and engage with prayer as part of our painting practice and have exhibitions of our work in order to engage our community with God’s presence and action of His Holy Spirit at work in our Icons.

This month I wanted to mention one of the guild members: Jennifer Richard-Morrow, who is a fine artist, specializing in pastels, oils and icons. She is a long time member of Saint Vincent’s Church in Albany where she serves as a member of the funeral ministry, helping with the funeral services, particularly with elderly people who have no relatives or few friends left.pastels 023

Jennifer has also had a lifelong interest in local New York history and has worked as an historical interpreter for the State at upstate Historic Houses and museums. She is currently on staff at Thomas Cole House in Catskill. Her Icon of Kateri Tekakwitha is one of the most historically accurate ones in existence today.

Richard-Marrow_fnl_downsizedJennifer and the other Iconographers and members of the Guild live a life of prayer and service to their local churches and  communities.

On September 14, we will be moving the location of our Icon writing class to Westminster Presbyterian Church on State Street in Albany, NY. We meet on Monday evenings and it is recommended that interested people take an introduction to Icon Writing class with Christine before starting the Monday evening class.

UPCOMING INTRODUCTION TO ICON WRITING CLASSES

St. James Episcopal Church   Fri evening, 6:00 – 9PM, Saturday, 9-5PM -Sunday, 1:30-5:00PM  October 16-18th  Cost $215 includes materials and lunch Saturday.  Email Grace Beecham to register: gbeecham@stjames.org or christine@newchristianicons.com._MG_3841

INTERESTING ARTICLE ABOUT GREEK ICONOGRAPHY

The following excerpt is taken from The Orthodox Arts Journal blog, and I include this because internationally many of us Iconographers have a similar approach – that of bringing forward the good from the past, but not slavishly copying. The task of creating a fully authentic 21st Century Icon is before us.

“Kontoglou and the rest of the 30’s generation where not turning to the past out of conservativism, but as a step to redefine the path of Greek art.

He was interested in reviving the orthodox aesthetic that had been heavily compromised by Western naturalistic ways of expression. In this aspect he was a real revolutionary; he managed to overturn the established church painting norms of the time (which was heavily influenced by the so-called ‘Munich painters’) by letting in, a “strong breeze from the east”. It was much later in his career, I believe, that his teachings were over-systematized. This led many of his followers to a stagnant and uninspiring way of painting icons based on mere copying with lack of artistic personality.”

Another Greek Iconographer in this article is Spyros Papaloukas who has another interesting approach to the creation of an authentic contemporary Icon, and here again, I quote from the blog :

Spyros Papaloukas saw in Byzantine art elements that were critical to the modern art movement and in many cases realized that solutions to artistic problems posed by his contemporaries were to be found in Byzantium. In several cases these gave him the answers to formal problems that were vital to painters of his time. Flatness and the adherence to the two-dimensional character of a painting, the possibility of the coexistence of multiple view points, the vital part that color played as an expressive and not merely descriptive element – all these were characteristics that modern painting shared with Byzantine art. This has been noticed even by modern painters whose art had no obvious religious focus such as Malevich and the other Russian avant-gardes, or like Henri Matisse. Matisse made a statement very much in accordance to Papaloukas, about 20 years later, in 1947, when he confronted for the first time Byzantine icons on his trip to Russia: “It was before the icons in Moscow, that this art touched me and I understood Byzantine painting. You surrender yourself that much better when you see your efforts confirmed by such an ancient tradition. It helps you jump the ditch.”  You can read the entire blog and see the color illustrations here.

These ideas and issues help us here in America to join with our international counterparts in thinking and praying our way to what God is asking us to do with His Icons today.  st lukeprint

Thank you all for reading, and we ask your prayers for us in this work.

Many blessings,
Christine Simoneau Hales

www.newchristianicons.com

www.christinehales.com

Exciting Pentecost Icon Dedication

Hello Fellow Iconographers and Friends:

Last Sunday, in Pentecost, the beautiful eight Icon panels for St. Vincent’s Church in Albany, NY, were unveiled and dedicated.  It was a glorious celebration as they were warmly and enthusiastically welcomed into St. Vincent’s Church! Father Richard Vosco reminded us that as we are looking at the Icons, they are looking back at us! This invitation to draw near to God is a striking quality of Icons._MG_3841

“Gradually the Icon will re-educate us, correcting any inclination we may have to think of God as harsh or distant (Psalm 103:8).  It will call to mind his loving kindness and infinite humility.  We should ask, like the monks and mystics of the East, that a ray of uncreated light-God’s transfiguring grace-may shine in the darkness of our hearts. Then a spring of compassion will rise up in us to flow out to all who are in need.”  The Glenstall Book of Icons, Gregory Collins, OSB

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Certainly the Saints depicted in the Icons speak to a life of compassion for the poor and downtrodden: Saint Vincent de Paul, Louise de Marillac, Dorothy Day, Elizabeth Ann Seton, Kateri Tekakwitha, Pope John XXIII, Saint Francis, and Rose of Lima. It was an honor and a  privilege to work on the Icons for a church like Saint Vincent’s who’s motto is “radical hospitality” and unity.  The scale of the 48 x 36″ Icons fit perfectly in the arched alcove and worked with the placement of the altar in the center of the worship space to convey the feeling that we were worshipping with “the communion of saints”. Betsy Rowe-Manning, church administrator, created a beautiful sheer gold veil that was pulled down during the worship, allowing for a clear view of all the Icons for the first time. Breathtaking moment! I was blessed to have my son, daughter-in-law and granddaughter in attendance, along with Iconographer friends from the St. Luke’s Guild present. Special thanks to Thomas Nelson for his expert installation of the Icons!

This coming week – June1-5, I will be taking a course with Russian Iconographers from St. Petersburg, Philip and Olga Davydov, held at the Wesley Theological Seminary in Washington DC. They have a unique style and vision which is well informed since Philip learned Iconography from his father, a  Russian Orthodox priest.

Here are scontemporary_icon_of_holy_mandylion fresco_mural_mother_of_god_in_altar_apseome quotes from their website that give me the impression that theirs is an evolving genuine sacred art, working to create a contemporary visual language for today’s Iconography: Sacred Murals.com

“One can say that Philip and Olga typify a new generation in icon-painting in the sense that they relate to a new stage of its development.”

” they have developed their original style, while upholding strict canon rules and deep tradition. In the modern Orthodox art these qualities often do not blend. ”

saint_john_the_divine_fresco_in_altar_apse“Meanwhile, modern copies attain neither the depth of spirituality, nor the artistic quality of the ancient monuments. The period of replicas has been exhausted; nevertheless some iconographers persist in cloning old masterpieces.”

The “New generation icon painters proved to be more creative and free. Even though young artists were mastering traditional icon-painting technology, following the canons, and referring to the ancient samples, they nevertheless have quickly realized that copying, once useful at the time of studies, prevented them from creating a genuine sacred image. Based on a centuries-old tradition, it must express today’s faith and acquire a language of its own. ”

Don’t Forget the upcoming Introduction to Icon Writing Retreat on June 12-14 in Hillsdale, NY.  The total cost, including lunch,, snacks, and materials is $215.00. Friday night, all day Saturday and Sunday afternoon schedule. We have a limited amount of lodging available from the Christian Community church so reserve now. Email:Christine@newchristianicons.com   72040c31c54a5fd74d8d44b2675e79ac

This month’s featured Iconographer is Veronica Royal, a fellow Iconographer I met in Washington DC.  She works primarily in acrylics and travels widely with her writer husband, Robert Royal while at the same time maintaining a popular weekly Icon writing workshop on Saturday mornings.

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Veronica is sponsoring Romanian Iconographer Daniel Necula, June 22-27. His Iconographic style incorporates both the Greek and the Russian styles. She agrees that teaching Iconography is a big responsibility and can only be done through prayer and incorporating all the Canons so that people can read the Icons correctly. That is especially important when creating prototypes for new Icons. Studying with Iconographers from Russia, Greece and Europe, is one way of maintaining an Iconographic practice that allows for creativity and honoring the traditions.  Her website is:  Royal Icon Studio in Annandale, VA.  Veronica is part of the worldwide Iconographic renaissance, maintaining a studio in the Washington DC area.ea3a3e4745f331ac96cef816fa641f90

 

 

Bless you all, please keep my work in prayer, as I do yours! One of Dorothy Day’s mottos was “Work and Pray”!  I second that!

Blessings,      Christine

 www.newchristianicons.com

 

 

New Beginnings

Hello Friends and Iconographers:

Celebrating the end of a long cold winter by starting new Icons! I’m hoping to get started on my Saint Brigit, one of the most remarkable Irish Saints of the fifth Century,  by the first of May.  Brigit saw God in nature and was said to have believed the dew, particularly in the month of May,photo was holy and cleansing.

I’ve finished a Christ”Not Made with Human Hands” Icon that will be in an exhibition of my landscapes at the Chatham Bookstore, opening May 8.

_MG_2146 (1)We’re hoping the eight large – 4’x3′ Icons for Saint Vincent dePaul’s Church in Albany will be installed on Pentecost, May 24 this year.  I will send out an invite when it is finalized.

 

FEATURED ICONOGRAPHER  

Each month in this blog, I hope to feature an Iconographer and his/her work, so that we can become familiar with the depth and breadth of Iconography as it is being practiced today. This month’s featured iconographer is Peter Pearson, the author of “A Brush With God: An Icon Workbook”.  I always love seeing his recent Icons- truly  beautiful expressions of his life in prayer and community.

 

vladimir doc 3From Peter:      “For the last 45 years, Byzantine icons have been a passion and driving force in my life. I love looking at them, studying them, praying with them, and painting them. Even now, after all this time, I’m pretty sure I’ve only scratched the surface. Rather than seeing icons as some lost and tragically frozen art form, I see them as a dynamically evolving part of the Christian witness through the ages. They have been a part of my contemplative practice, especially in the painting. That’s the place where I dissolve and there is only the brush stroke and the prayer. Through the icons I paint, the books I have written, and the classes I teach, I get to share this amazing adventure with others and I love it.joseph finished
As an iconographer who uses contemporary materials (acrylic paints), I am often challenged to defend my practice and that’s a bit exhausting. The witness of the centuries testifies to the fact that in every age, iconographers have used many different media to created these holy images. For me, as well as for many others, the point is prayer and not what the paint is made of. Like one of my teachers, Phil Zimmerman always says: “You can make a religion out of anything, including eggs.” I prefer not to and it’s working for me.” 

4 revised (2)For information on his workshops and full bio visit Peter ‘s website : peterpearsonicons.com.

Just a passing news note: My FB friend Dylan Hartley posted that he and Aidan Hart are in Rome visiting the Pope in honor of an Icon Aidan did for him.  Praise God!  I’m so excited for them!

And lastly, I’m offering a weekend Introduction to Icon Writing retreat :

INTRODUCTION TO ICON WRITING June 12-14
Dates: June 12-14 Christian Community, 10 Green River Lane, Hillsdale, NY 12529
We will be writing the Saint Michael Icon in the Russian/Byzantine tradition with egg tempera and gold leaf gilding. We will be painting Archangel Michael.   Weekend Retreat: Starting Friday night 6-9PM, Saturday 9am to 5pm and Sunday 1-5PM Mid morning and mid afternoon break, lunch provided, It will be fast paced, with demonstrations and individual teaching instruction. Cost : $215.00 Includes meals and materials. To register email: Christine@newchristianicons.com, or chales@halesart.com.

“Those who have cleansed the eye of their soul and are capable of seeing beautiful things make the visible become a springboard for the contemplation of the spiritual”  Gregory of Nyssa

Blessings and love,

Christine

www.newchristianicons.com

www.christinehales.com

www.kingdomartsministry.com

 

Make More Happen

Dear Friends:                       popefrancisweb

I saw the above title on an advertising circular and thought it to be a good slogan for artists!  Put simply, just do it!  In the artist Way group that’s been meeting at my home, the idea of inner resistance comes up a lot, and it’s very interesting to observe what happens when we get past some of our resistance!

I was able to reconnect with my ballet training and start to feel that old excitement again-only to realize that movement is an important element in my painting. It’s what makes the difference for me! Hadn’t really thought about it before, but now it’s something I can consciously include and it makes me happy!

ezekielwebSpeaking of happy, here’s a book I’m reading that I highly recommend: “Joy Starts Here, The Transformation zone” by Wilder, Khouri, Coursey, and Sutton. It talks about a life model for sustainable joy and bringing joy to low-joy areas.  It’s wonderful!  We’ve talked in our Iconography class about the Rule of St. Benedict and it’s application to successful community formation. The joy book is equally a necessary building block to fruitful community formation.  The students in my class have formed the St.Luke’s Guild of Iconography and are exploring mission, values, and identity as a guild.  We have a FB page https://www.facebook.com/pages/St-Lukes-Guild-of-Iconography/1412750012275793  that you are welcome to “like”, and see what we are up to!     StBenedictweb

Another recommendation for you: Orthodox Arts Journal blog post on Iconographer Fr. Zenon.  He’s a fascinating and controversial Iconographer whose style is both traditional and innovative and one that I personally appreciate.

Here are a couple of snapshots of the work-in progress for Saint Vincent’s Church in albany, NY. There will be eight large icon panels, of Saint Vincent, Dorothy Day, Louise deMarrilac,  Rose of Lima, Francis, Kateri, Elizabeth Ann Seton, and John XXIII.

Saturday, November 22 at Our Saviour’s Lutheran Church in Albany, NY I will be giving a workshop on “Joy and Prophetic Art”.  Starts about 12:00 noon and all are welcome.

photo 2

photo 5Sunday, November 23  I will be speaking at Christian Community Church, Hillsdale, NY on “Concerning the Spiritual in Art”. This will complete the month long exhibition of my pairings and Icons there. The talk  begins at 11:45 and all are welcome. I’ll be teaching a ten week Icon Writing Class there starting Jan. 15, 6-9pm. Email me to sign up: chales@halesart.com

Soon, my website : www.newchristianicons.com will have a new look!  Hopefully it will be finished in about two weeks.  after that, this blog will also have a new format!   I welcome suggestions :).

Blessings and Peace,  Christine

(All artwork in this post is by Christine Hales, and  copyright protected. Feel free to contact me for reproduction rights.)