Andrei Rublev

Andrei Rublev

Revered amongst Iconographers as the most gifted Iconographer of all time, Andrei Rublev stands out amongst Iconographers for his ability to convey a subtle sense of spirituality with a highly expert ability to compose and paint Icons that address the issues of his time.

Saint Sergius of Radoneh
Saint Sergius of Radoneh

Born in medieval times, sometime in the 1360’s, not much is known about his life.  He is generally thought to have lived at the Trinity-St. Sergius Lavra near Moscow.  Rublev’s spiritual teacher, Saint Sergius of Radoneh, was the head of this Lavra until his death in 1392.

In 1405, Rublev decorated the Cathedral of the Annunciation in Moscow with frescoes and Icons along with Theophanes the Greek, who was Rublev’s teacher.

Fresco, Seed of Abraham
Fresco, Seed of Abraham

Holy Trinity Cathedral

The Assumption Cathedral in Vladimir and Holy Trinity Cathedral are thought to have been decorated by  Rublev and Daniil Cherni at about 1425.

Holy Trinity Cathedral, Russia
Holy Trinity Cathedral, Russia

Rublev’s great masterpiece, The Icon of the Holy Trinity, is the only work definitely attributed to him.  It was only discovered in the early 1900’s when an art restorer in Russia began to clean away the soot and grime that had blackened the surface for centuries.

https://newchristianicons.com/icon-painting-classes/
https://newchristianicons.com/icon-painting-classes/

The power of this Icon was observed and caused crowds of people to come and see it.  I write more about this in my book, “Eyes of Fire, How Icons Saved My Life As An Artist”. 

Rublev’s art combined asceticism with the classic harmony of Byzantine mannerism. His Icons are seen today as ideals of Eastern Orthodox Iconography.

If you’d like to read more about the Byzantine approach to painting Icons with egg tempera, this is covered in the book, Eyes of Fire, in the Appendix.

"Eyes of Fire" Book by Christine Hales
“Eyes of Fire” Book by Christine Hales

In 1966 a now classic film was made by the Russian film maker, Andrei Tarkovsky, called “Andrei Rublev”.  It’s a dark Russian drama that conveys a sense of the medieval times  of Rublev and is in black and white.

Rublev died in 1430, clothed as a Russian Monk and canonized by the Orthodox Church in 1988.

 

Icon Class Schedule 2019 

Sacred Geometry II

Greetings Fellow Iconographers:       images

When we open our eyes to see the sacred geometry inherent not only in nature, but also in Iconographic composition we enter into the world of sacred symbolic language.  The Byzantine culture understood that it is essential to understand and use abstract symbolic representation.  The primary reason is that we are depicting God’s universe, that heavenly realm that operates differently from our humanistic, materialistic world.  We want to  convey this God centered point of view in Icons and the best way to do that is to understand and implement sacred geometry within our compositions.

Shapes and Patterns        images-2

Identifying shapes and patterns helps us understand principles of symmetry, balance, and motion within the Icon. When we cooperate with and work in agreement with universal principles handed down through the centuries, we can participate in creating a universal visual language that can speak the truth of God, the Bible, and the Gospels, bringing our everyday lives into this sense of harmony and cooperation.

Simple Geometric Constructs

Blessed Pauli Murray Icon by Peter Antonci
Blessed Pauli Murray Icon by Peter Antonci

A simple geometric composition for single figure Icons is the triangle which is set upon a plinth.  By measuring the height and width of the Icon composition, finding the vertical and horizontal axis, and drawing the diagonals from each corner of the base to the central axis point at the top of the composition, one can create an Icon using sacred geometry.

In the recent Sacred Geometry Icon Retreat at Holy Cross Monastery in West Park, NY, students used this method for the construction of their Saint Francis Icon.

Olifa of Saint Francis Icon
Olifa of Saint Francis Icon

One of the most famous Icons using sacred geometry is the Rublev Holy Trinity Icon.  With this drawing, you can see the figures are arranged in relationship to the circle and contained within the square.  The circle is the symbol of unity, and God, in that it has no beginning and no end, but is energy in eternal motion. Rublev had been asked by Saint Sergius of Radoneh to create an Icon of unity and harmony which the community could pray with.  This now famous Icon was lost to the world until the early 1900’s when a resurgence of interest in Russian Icons caused an art restorer to clean the centuries of black soot and dirt from the icon, revealing a true masterpiece.    dee63ca17b15d01e89cffa4fa7aec172

May 9-12, 2019  Sacred Geometry retreat

Sacred Geometry is a foundational concept for Iconographers who wish to paint in the Byzantine Tradition.  The next Sacred Geometry Retreat at Holy Cross Monastery, West Park, NY, will be May 9-12, 2019.

New Icon Book

“Eyes of Fire, How Icons Saved my Life as an Artist” by Christine Simoneau Hales is an in-depth study on the evolution of religious arts and iconography, this book is about spiritual strength, timeless artistry , and groundbreaking personal transformation achieved through experiencing Icons. The power of religious images is  well documented in this book, as well as their influence on contemporary art.  There is an appendix containing valuable information to creating sacred art for the twenty-first century.

"Eyes of Fire" Book by Christine Hales
“Eyes of Fire” Book by Christine Hales

This book will be available on Amazon and a Kindle version will be available for a short period of time at no cost during the book launch in early October .  Email to receive a link for the free Kindle book (available during the book launch in early October only).

Blessings and prayers until next month,

Christine

Icon website

 

Icons as Visio Divina

Hello Fellow Iconographers:

Cloister holy Cross Monastery, West Park, NY
Cloister Holy Cross Monastery, West Park, NY

This month, teaching the “Color and Light in Icons” class at the Holy Cross Monastery in West Park, NY was truly a Holy experience. With such a beautiful monastery, warm and gracious hospitality of Abbot Bernard and all the Brothers, and wonderful people enrolled in the class, how could it not be amazing?

We painted the icon of the Good Shepherd and read aloud Psalm 23 and meditated on it day and night, while writing the icon.

Sine icons are theology in picture form, there is a deep relationship between Holy Scripture and the icon.  The icon is the symbolic picture that the words of scripture describe, enhanced by the prayers and love of God the iconographer brings to the process.

Russian icons, Icon painting retreat, modern icons
Putting the olifa on the finished icon

Through the act of creation we enter into a relationship with God the creator that is enhanced with the addition of His word in Holy Scripture. The resulting icon from this co- creative process becomes a vessel containing God’s presence through His imagery and the iconographer’s prayers.

Good Shepherd Icon, Icon Painting Class, Byzantine icon
Good Shepherd Icon, Icon Painting Class

Meditating on Scripture, and/or on the life of the saint being depicted in the icon is of primary importance in icon writing.  It’s important to make oneself ready to receive divine revelation and then translate that into the painting process with the icon.

Holy Cross Monastery, icon painting retreat, Christine Hales
He makes me to lie down in green pastures, He leads me beside the still waters, He restores my soul… Holy Cross Monastery 2018

In teaching icon writing/painting classes, I like to emphasize our shared Christian faith that is being made visible in the revelation and shared spiritual knowledge that is being made available through the process of icon writing. Each student has their own unique conversation with God during the icon writing process, and sharing that communion with others in the class increases the level of revelation available to the group as a whole.  We have a strong belief in the intrinsic value of the icons being created and understand that they affect both the maker and the viewer.  Icon writing is a powerful ministry!

Icon retreat with Christine Hales at Holy Cross Monastery 2018
Icon retreat with Christine Hales at Holy Cross Monastery 2018

Membership in the American Association of Iconographers

Membership in the American Association of Iconographers is now open to all iconographers who have a sincere desire to “spread the joy icons throughout the world”.

Email Christine with your name, website and any additional information. Volunteers to help by being on the steering committee are appreciated.

Blessings,

Christine Hales

Icons