Spring Icons 2017

Hello Fellow Iconographers:

Icon coloring book
Kindergarten Icon coloring book

This month, sharing Icons with kindergarten children in Boston was a special joy – I used pages from the Icon coloring book that they could “paint” and I demonstrated making egg tempera- they loved trying it!

Also was blessed to lead an Introduction to Icon writing workshop in Miami and Morningstar Renewal Center, directed by Sue de Ferrari. Many of the participants were students of Sue’s in a unique Spiritual Direction Training program through St. Thomas University. It was a blessed workshop in so many ways, including a Good Friday Stations of the Cross prayer walk, using my Stations Icons.

Stations of the Cross Icons
Stations the Cross Icons

The weekly Albany Icon writing class is up and running again. To view class times and schedules got to www.iconwritingclasses.com.Icon Class in Miami

In teaching Icon workshops and classes,, and particularly in giving talks about Icons to a more general audience, I realize how important it is to explain the difference between an Icon and a religious painting. I think that issue warrants more thought and explanation amongst the Icon writing community. When we consider the history of Icons, and the development of Icon writing particularly from the eighth century forward, there seems to be a development that begins to decline in levels of artistic and spiritual quality particularly in the seventeenth through nineteenth centuries.

Religious Paintings vs Icons

Madonna and Child Icon
Madonna & Child Icon by Christine Hales

We can see that in the elongation of forms, the more naturalistic rendering of people and objects, and in the gradual loss of that flatness of spatial relationships. What begins to happen is that the “heavenly world” that world that operates not on the same laws as earth, but instead, the miraculous space that God inhabits.

Raphael
Raphael

I believe that most of us Iconographers are aware of this and the importance of not copying Icons from the Renaissance forward is part of that understanding. Does anyone know of more clearly articulated articles or books that define this difference between “good Icons” and ones that are considered “corrupted”? I think it would be useful for the Iconographic community to consider various ideas and opinions on this subject, so please email or forward relevant writings on the topic and I will try to continue to post regarding this notion of “what makes a Good Icon?”. Below is an in depth video that is interesting and informative.

“God in all that is most living and incarnate in Him, is not far away from us. altogether apart from the world we see, touch, hear, smell and taste about us. Rather he awaits us every instant in our action, in our work of the moment… he is at the tip of my pen, my brush, my needle- of my heart and of my thought.”  Teilhard de Chardin

Blessings and prayers until next month

Christine Hales

Icon Classes Website     Icon Website    Christine’s Paintings

Seeking God

Dear Fellow Iconographers:

Holy Cross Monastery Icon
Icon class at Holy Cross Monastery

For Lent, I have been re-reading “Seeking God”, The Way of Saint Benedict by Esther DeWaal.  In thinking about Icon Writing, teaching students, and community formation, there are many thoughts and concepts within the “Way of St. Benedict” that are worth bringing forward to the formation of an Icon writing community. A quote from her book from St. Benedict’s prologue:

“The Lord has himself given us the time and space necessary to learn and put into practice the service love that He continues to teach us.  In this school of His let us hope that following faithfully his instructions nothing distasteful or burdensome will be demanded of us, but if it has to be so in order to overcome our egoism and lead us into the depths of true love, let us not become disheartened nor frightened and so ignore the narrow path in spite of its tight entrance-that path which leads directly to the fulness of life”.

As we move forward, please email or send your thoughts or suggestions about community formation as Iconographers.

Christine Hales’ Icon writing class Holy Cross Monastery Chapel

While in Icon classes we need to teach the principles of imagery research, drawing, composition, and paint application, the spiritual life is also an important part of the process. The recent Icon retreat I taught at Holy Cross Monastery was a wonderful time of combining both as we entered into the prayer rhythm of the Monks and ate our meals and prayed with regularity and holy community as well as creating beautiful Icons of the face of  our Savior.

I think everyone went away deeply happy, rested, and with their own Icon of Christ to complete the Lenten process of prayer and fasting.

Icon writing class Christine Hales
Holy Cross Icon writing class with Christine Hales group photo

 

 

 

 

 

 

 

 

Anne Marie Prono, Architect and Iconographer, was in the Holy Cross class and shared with me an article about how she brought Icons to children in Queens.

Twelve Ethical Principles of a Christian Sacred Artist

The above link is a new post by Iconographer Deacon Paul O. Iacono that is very worth reading, in that its intention is to articulate some of the principles inherent in creating sacred art.

This month I am so grateful and happy that  CIVA- Christians in the Visual Arts, published a piece I wrote about Icons entitled “American Iconography”.  Hope you like it!

This month, I have given two Icon writing retreats one in Sarasota,Florida, and one in Holy Cross Monastery, West Park, NY, photos follow:

Icon Class Christine Hales
Icon class Sarasota

 

And here is the Sarasota Church of the Redeemer new Iconographers :

Sarasota Icons
Church of the Redeemer, Sarasota, Iconographers

 

 

 

 

 

 

 

 

 

 

 

Two last notes: Miroslav, an Icon board preparer in Serbia has reached out to me regarding receiving orders for Icon boards.  His prices seem competitive, even with shipping, and I will be sending him an order in the next week or so. Here are some photos of his work, and he also does just gessoed panels in regular sizes, so let me know if any of you are interested in ordering one of his boards.

Miroslav Icon Boards
icon boards by Miroslav

 

 

 

 

 

 

 

 

 

Last, but not least, I will be teaching an Icon writing class at Morningstar Renewal Center in Miami Florida, April 13-15 for Holy week with a special presentation on Good Friday with Stations of the Cross Icons in the garden.  Please join us if you can.

Sending you all prayers for a Holy Easter and joy in Icon writing,

Christine

My Icon website    My paintings website

Why Icon Writing and not Painting?

Dear Fellow Iconographers:unknown

Wherever I go, giving talks or workshops about Icons, there is always one question people ask:  “Why do you say Icon writing and not Icon painting”?  Most of you who have had class with me know the answer in a general way, but because it highlights some important issues, I want to clarify even more what we mean by “write” instead of “paint”.

Discerning and describing the difference between a religious painting and an Icon is the heart of the matter.  When you think of beautiful religious paintings, like Michelangelo’s Sistine Chapel, or Raphael’s Madonnas, or Da Vinci’s Madonna of the rocks, or countless other beautiful religious paintings- what are the differences between them and an Icon?  And why does it matter?unknown-1

Icons are images that contain Spiritual power and grace.  They do this by the combination of prayers, Traditions of the Church, sacred geometric composition, Scriptural narratives and the intention of the Iconographer to convey the Saints in the light of the Holy Spirit operating within them.unknown-2

Icons are meant to be Scripture in visual form.  In the readings at Church this past Sunday, about the Transfiguration in 2Peter 1: 16-21, just after God’s audible voice tells us “This is my beloved Son in whom I am well pleased”, Peter says ” And we have the prophetic word made more sure.  You will do well to pay attention to this as to a lamp shining in a dark place, until the day dawns and the morningstar rises in your hearts.  First of all, no prophecy of scripture is a matter of one’s own interpretation, because no prophecy ever came by the impulse of man, but men moved by the Holy Spirit spoke from God.”

So, in that Scriptural passage is a clarification of the difference between an Icon and a religious painting – the religious painting has more of the artist’s personal interpretation and is less strictly following the Word of God. Michelangelo’s painting style is called “mannerism” and is emotive and expressive of more than just the Scriptural scenes depicted. This  development from the Renaissance onward,  has contributed to the marginalization of God’s Sovereignty in the contemporary world and culture.  THAT is why we make emphasis on “writing” , rather than “painting”so that we can bring forward, through the Icon, a more God-centric perspective, from an earlier time and attempt to become disentangled from the Humanism that we have unconsciously absorbed from our culture.unknown-3

There is a great deal more to say and document about this important shift perspective, and as always, I point the reader to Egon Sendler’s excellent book “The Icon, Image of the Invisible. Elements of Theology, Aesthetics, and Technique” for a more thorough treatment of the visual, and theological principles involved in Icon “writing”.

Perhaps in the next blog we can look at the issue of Pictorial space in an Icon- other key difference between religious paintings and Icons.

Just wanted to mention some interesting Icon Links to you all:  Icons and Their Interpretation is a blog I recommend if you are interested in the meanings behind the old Icons.  It is a site dedicated to the study of Greek, Russian, and Baltic Icons.  Here is a link to their recent post about the Icon “Let All That Has Breath Praise the Lord”.  It is a lovely Icon and really shows the Iconographic language and method of illustrating  Scripture.

Also, another useful link is that for the Museum of Russian Icons in Clinton, Massachusetts.  They have a variety of changing programs and exhibitions and I’m sure some will be of interest.

Last thing to mention for this blog is three Lenten Icon writing workshops I am offering before Easter – you are invited to any of these:

May God continue to bless the work of your hands, and keep you in His ways,

Christine

Icon Website     FB  Icon Page    Art Website

 

February Icon Resources

Hello Fellow Iconographers:img_5817

This month I would like to give you some  of my resources and links that have a lot of varied information about Icons and creating Icons. Some of these are repeats from last year, but thought you all might like to see them here in one place:

Materials/Pigments

Natural Pigments, Kremer Pigments, Daniel Smith, Guerra Paint and Pigment

These are some of my favorites, and if you’d like to leave a link in the comment section, I’m happy to add any others.

Icon Boards

Pandora, St. John’s Workshop, True Gesso Icon Panels

Icon Websites with Resources :

Versta-K Russia: Russian Modern Orthodox Icon Site: Lots of links and Russian Icon books for purchase

British Association of Iconographers

Icon Classes

Icon Master Class at Holy Cross Monastery, West Park, NY,    March 21-24, 2017          FB event 

Introduction to Icon Writing Classes: St. James Episcopal Church, Madison Ave, New York, NY  June 9-11

Prosopon School of Iconology

Article About Iconography

Also want to mention the article that came out in the National Catholic Reporter, Dec. 2016: “Iconography Classes Draw non Orthodox in Search of Spiritual Images”.  It is important because it draws attention to the current revival in Icon Writing classes as well as making the point that sacred images are of increasing importance to all denominations of Christianity.

“Experts say the growth in interest — and diversity of religions involved — has been building over the last couple of decades.”

“David Morgan, a religion scholar and art historian at Duke University, said the iconography tradition, which dates to the early centuries of Christianity, is designed to be distinct from more naturalistic art, which became more common in the Renaissance period.

The flatness of the image, its stillness, the large eyes of its figures and the often symmetrical style are all intentional ways of distinguishing between the ordinary world and a heavenly realm.

The two-dimensional image denies three-dimensional presence,” he said. “It says the spirit is not about three dimensions. It’s about a reality that is revealed in the image, revealed in the holy Scriptures, revealed in the sacrament, and it’s something that one needs to recognize as very special.”    There is more in the article and I have included the link above.

It is  hopeful and encouraging that many more people are experiencing the spiritual joys of Iconography. img_5944

I gave a talk this month at Church of the Redeemer, a beautiful Episcopal Church in Sarasota, Florida, that was well attended and the questions afterwards showed a lively interest and an awareness that Icons have the effect of strengthening our faith in many different ways.

I think that understanding our differences as Iconographers and agreeing on the important elements of Icon writing that we share are key to being part of a vibrant community.  Perhaps we can all include the community of Iconographers  in our prayers as we move forward in Faith as servants of God and His Church.

May God bless you all,

Christine

Icon website

Facebook Icon Page

 

 

 

 

New Year

Dear  Fellow Iconographers and Friends:

christingloryweb
Christ in Glory Icon written by Christine Hales

As we contemplate the New Year ahead, Icons have an important role to play in shaping the structure and content of our lives, for they are signs pointing the way to the future. How does that work? In my prayer practice and in my choice of Icons to write, I choose Icons that will be effective in directing my attention and prayers to the outcomes, wisdom, and direction I am seeking.

John the Baptist Icon
John the Baptist Icon written by Dahlia Herring

 

“Where there is no vision, the people perish.”  Proverbs 29:18

Whatever your political leanings, there has never been a more important time to pray and to write Icons. For in choosing which Icons to write, we can call forth, through prayer, the guidance and assistance of the community of saints who have gone before us. Mysterious and powerful, the Byzantine Holy images that were created hundreds of centuries ago, contain a window into the Divine that is sometimes hard to locate in our contemporary world. In the prayerful atmosphere of meditation and contemplation with an Icon, we enter into that holy, creative space where we listen to God and receive Holy Wisdom.

small-st-kateri-2015
Saint Kateri Icon written by Jennifer Richard-Morrow

Some examples of Icons that relate to this concept of praying and contemplation with a purpose are: Christ, calling forth Unity, forgiveness and discernment; Julian of Norwich, calling forth peace;  Saint Anthony the Great, father of monasticism and defeater of demonic temptations; Saint Michael the Archangel, Protector of the world; The Madonna, protector of children everywhere; the list is endless.  In fact,it would be interesting and you are invited to list your own favorite Icons and saints in the comments section below.

christ-in-majesty
Christ in Majesty Icon written by Rev. W. Michael Shirk

 

 

MEMBERSHIP

If you are interested in contributing to the American Association of Iconographers blog or if you’d like to become a member, please add your name and information in the comments section below.

 

In speaking about one of her Icon writing classes, Iconographer Mary Jane Miller states: “The main goal of the study is to cultivate a clear and conscious image that becomes a lasting window to the Divine”  It is precisely this that Icons and Icon writing have to offer.  The more clearly we pray, create our vision with God’s  help, we bring God’s grace and intervention to the very world we live in.  While Icons are most often seen in the context of liturgical worship within the Church, their place is also needed in our individual worlds outside the church, helping us to minister to those around us by granting us access to heaven through the Icons.

If you’d like to make an Icon workshop part of your 2017 Spiritual Plan, I will be teaching three this year.  The first one will be an advanced Icon writing workshop held at the beautiful Holy Cross Monastery in West Park, NY, March 21-24. It is for those who have previous experience and wish to continue. Individual instruction and demonstrations will be provided.

May God continue to bless you in 2017, and may your prayer reach extend to all those in need in your community and in your nation and the world.

Blessings and prayers,   Christine Simoneau Hales

www.newchristianicons.com

my-joshua-icon
Joshua Icon written by Carol MacNaughton

 

Advent

Dear Fellow Iconographers:

“Advent asks us to keep vigil for the Christ who comes to us anew in this season. It invites us to keep our face turned toward the horizon in hope. But Advent asks us also to open our hearts to the Christ who keeps vigil for us, the Christ who stands not on some distant horizon but, instead, is already with us, waiting for us to open our eyes to his presence that stays with us always.

As Advent begins, may you be blessed in your vigil: the one you keep, the one being kept for you. In that vigil, may you find your deepest welcome and know yourself at home. Peace.”

from “The Advent Door” by Jan Richardson.

The word Advent comes from the Latin, “Adventus” which means coming. It is the beginning of the Liturgical year and is a time of preparation, looking forward to the celebration of Christ’s birth.  As Iconographers, we rejoice in the implications of this time waiting, the coming of Christ, the Word made flesh.  Truly a symbol of Icons where we write the Image of Christ in remembrance of His HolyPresence and action upon us. During Advent we open our  hearts to His influence and love in joyous anticipation of a life filled with the fulness of His Spirit.

Christ Icon
Christ in Glory Icon written by Christine Hales

I love this Icon of Christ in Glory, especially at this time of year. The predominant colors of red, green and gold ochre are highly symbolic and offer a clarity and simplicity found especially in Advent.  Red and green are opposites and in Christ, both heaven and earth are united, within the context of gold, the color of God’s Presence and light.  The four Evangelists in the corners remind us of Christ’s birth as a fulfillment of both Old and New Testament Prophesies.

In the  two unfinished stages of the Annunciation Icon below, written by Jennifer Richard-Morrow, they graphically depict a sense of waiting, the form is visible, but the details are coming slowly, eventually creating a dynamic picture of a very exciting event in the life of Mary.

written by Jennifer Richard-Morrow
Annunciation Icon written by Jennifer Richard-Morrow-roskrish state.
Nearly finished Icon by Jennifer Richard-Morrow
Nearly finished Icon by Jennifer Richard-Morrow

In Advent, I think of Mary- her waiting.  Keeping her focus on God, her savior, prided a faith filled context within which the waiting became joyous.  Her whole being was trained through prayer  and family lo

Madonna and Child Iconve to honor God’s will and to rejoice that she was chosen for the difficult and perilous mission of being the mother of Jesus.  She believed God was doing great things for her.  God’s will, not her own. “Oh, how I praise the Lord, my savior.” Luke 1 :46.

I encourage you to meditate and reflect, with a Madonna Icon if possible. God has called each one of us.  May we wait with certainty and joy as his plan unfolds.

Brother Aidan, a Benedictine monk of the Holy Cross Monastery, has a weekly blog that this week begins a meditation on Advent and fasting. “Learning How to Fast”.  He talks about how important it is to allow ourselves to experience the feeling of emptiness.  We need to experience hunger in order to know what we are truly hungry for.

“Although Advent is not a penitential season, it is a season of waiting and watching, a season of expectation. Our Christmas celebration will be all the sweeter if we sit in the gathering darkness of winter and allow ourselves to long for the dawning of the light rather than turning on every lightbulb in the house in an effort to cast out the shadows. Let’s relearn how to fast. It will make our feast all the more joyous when it comes.”  Brother Aidan, Holy Cross Monastery

Mary Icon almost finished
Mary Icon almost finished

 

“For a true Iconographer, creation is the way of asceticism and prayer, that is, essentially, a monastic way.” Leonid Ouspensky; The Meaning Of Icons

Sending love and prayers this beautiful Advent Season.  May you experience the love of God and Mary especially this Christmas.

Christine

 

Icon Classes

Icon Website

What is an American Iconographer?

What IS An American Iconographer?

Good question. When we speak of Greek Iconographers, or Romanian, or Russian, or English we immediately have a picture in our minds of what those “styles” look like.  Even the contemporary European and Eastern Iconographers, while experimenting with new ideas, are still working from the old style.  That old style consists of illustrative images, cartoonish almost, with a kind of light and form that differs from “natural” light and form, but it is varied in  interpretations.

America as a country is home to people of many different national origins, so our nationality is defined more by citizenship and allegiance than by ethnicity. After many years as a “melting pot” of different cultural ideas, America has come to have its own identity, even amongst diversity.

So what does an American style of Iconography look like?  Many American Iconographers I know have styles that are derived from the teachers they studied under. So much so, that one can see their Icons and immediately know whom they studied with.  In part this is due to the notion that copying is the approved way of making an Icon.

In my training, I was taught that we always use models for our Icons  created before the Renaissance and this is because after the Renaissance, the age of humanism dawned and people created art not to glorify God, but to glorify man’s achievements.  I was and am so grateful for this awareness, for it helped to break me free from the traditional art college training I had had and allowed me to see a more ancient, God centric approach to making art.

Entry into Jerusalem Icon
Entry Into Jerusalem Icon by Christine Hales

That being said, I do however, owe a lot to some of the really good art teachers available in the art world.One of those, Arthur Wesley Dow (1857-1922) said “Good drawing results from trained judgement, not from the making of facsimiles or maps.  Train the judgment and ability to draw grows naturally.” So this more experience based approach to drawing is what I use in creating my Icons.  I research, find models from before the Renaissance (or just at the turning point- a time when many painters were trained first as Iconographers), then spend time praying, reading relevant Holy Scripture, the saints’ biography, listening to sacred music, and enter into a prayerful creative experience with the Creator.  This last, being in a prayerful state is of the highest importance in the “writing” of an Icon.img_3107

That is the gift of the practice, it lifts us up out of our intellect into our creative selves, that discipline of getting past the chatter of the mind is facilitated by the practice of prayer and painting. (paraphrased from Tim Hawkesworth).

This being said, one would not wish to ignore the importance of Tradition in Icon writing.  “Since in its essence the Icon, like the word, is a liturgic art, it never served religion, but, like the word, has always been and is an integral part of religion, one of the instruments for the knowledge of God, one of the means of communion with Him.” Leonid Ouspensky, The Meaning of Icons.  It is not a question of either or, but both and.

Jesus, Peter, Icon
Icon by Dahlia Herring

I know that many of my students’ Icons are reflective of a deep relationship and personal experience with God.  An example of one student’s faith and desire to bring others into relationship with God, is Dahlia Herring’s Icon of Jesus pulling Peter from the water.  Another student, W. Michael Shirk, an Independent Catholic Priest, writes his Icons while praying constantly, and this is often reflected in attention to detail.

Icon, Joseph of Arimathea
Joseph of Arimathea Icon by W. Michael Shirk

When I wrote my Icon of the “Entry Into Jerusalem”, I was identifying with Jesus and thinking about the human aspect of what it’s like when one goes forward to one’s destiny.  His looking back seems so human, and his movement forward, Divine.  As an artist I gain strength and guidance from this moment, and I keep this Icon to remind me to pray for God’s will, not mine.

This country is so vast geographically, and there are many Iconographers in each of the 50 states.  I hope someday to have a list of all the American Iconographers and their contact details on this site, in order for people to contact them for commissions and classes.  I do get asked if I can recommend an Iconographer in different cities and hope to be able to serve as that kind of an association for Iconographers in the future.

Please contact me if you are an Iconographer, if you’d like to be listed on this site with a link to your website.

In prayer and blessing,

Christine Hales

www.newchristianicons.com      Icon writing retreats and classes    Christine Hales’ cv

Feast of Archangels

Dear Fellow Iconographers:

Blessed Feast of the Archangels, Michael, Raphael and Gabriel!

 

Pope Francis spoke about this feast day earlier this week: “We must be aware of their invisible presence,” – Pope Francis said – “Let us invoke them in prayer so that in every moment they remind us of the presence of God, and support us in the struggle against evil and guide us safely along the roads of our lives. We entrust to them ourselves, our dear ones, and those we hold in our hearts. Praise be to Jesus Christ.”

Archangel Michael by Christine Hales
Archangel Michael, Ready for Battle

Michael is the Patron saint : Against temptations; against powers of evil; artists; bakers; bankers; battle; boatmen; cemeteries; coopers; endangered children; dying; Emergency Medical Technicians; fencing; grocers; hatmakers; holy death; knights; mariners; mountaineers; paramedics; paratroopers; police officers; radiologists; sailors; the sick; security forces; soldiers; against storms at sea; swordsmiths; those in need of protection; Brussels, Belgium; Caltanissett, Sicily; Cornwall, England; Diocese of Pensacola-Tallahassee Florida; England; Germany

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Archangel Michael by Christine Hales

His symbols are: Angel with wings; dressed in armour; lance and shield; scales; shown weighing souls; millstone; piercing dragon or devil; banner charged with a dove; symbolic colors orange or gold.

Gabriel is the patron Saint of: Ambassadors; broadcasting; childbirth; clergy; communications; diplomats; messengers; philatelists; postal workers; public relations; radio workers; secular clergy; stamp collectors; telecommunications; and Portugal.

gabrielweb
Archangel Gabriel by Christine Hales

His symbols are: Archangel; sceptre and lily; MR or AM shield; lantern; mirror; olive branch; scroll with words Ave Maria Gratia Plena; Resurrection trumpet; shield; spear; lily; symbolic colors, silver or blue.

Raphael is the Patron Saint of: The Blind; bodily ills; counselors; druggists; eye problems; guardian angels; happy meetings; healers; health inspectors; health technicians; love; lovers; mental illness; nurses; pharmacists; physicians; shepherds; against sickness; therapists; travellers; young people; young people leaving home for the first time.

raphaelunframedweb
Archangel Raphael by Christine Hales

 

His symbols are: Staff; wallet and fish; staff and gourd; archangel; young man carrying a staff; young man carrying a fish; walking with Tobias; holding a bottle or flask; symbolic colors, gray or yellow.

In David Clayton’s “Way of Beauty “ Blog this month, he talks about Christian Symbols and whether we need to keep them or find new ones.  I think the symbol and it’s significance and meaning to the viewer are what give it it’s power and relevance.  When God gives us revelations, often it is in symbolic form.  So when we hear from God, and are able to grasp His thoughts on a deeper level with the help of symbols and Icons, we are able to enter more fully into the wisdom of our present circumstances and situations.

Icons are symbols of a world where holiness reins, eternal light shines forth, and the contradictions of this earthly world are resolved in the heavenly world of the Icon. God’s grace, His presence, His love, all flow constantly to those who are willing and able to receive it. …

Just to mention that the large Icons of Saint Kateri Tekakwitha and Isaac Jogues are almost finished. It has been a blessed experience working on them in my summer studio. And I am so happy God has blessed me with a winter studio in Hudson this year!  Exciting!

 

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To learn more about Icon classes and retreats that I am giving, please check my website.

Until next month,

May God bless you and keep you in His loving embrace.

Christine Hales

www.newchristianicons.com     www.christinehales.com

 

Stories of Saints and Icons

Dear Fellow Iconographers

Crucifixion Icon
Crucifixion Icon by Christine Hales

Have you ever wondered about the stories associated with Saints and Icons- how they have been carried down through the ages?  Joseph Campbell spoke in “The Power of the Myth” about how human beings have a thirst and hunger for stories that can help them understand and give significance and meaning to their experiences in present time.

The stories of St. Nicholas helping the poor, or St. Francis preaching to the birds, or the modern day story of the marine being saved by Saint Michael in the trenches in Korea in 1950, and so many more, are thoughts that keep us going when things are difficult.

Stories about Mary, her graceful obedience to God’s plan for her life and the many blessings that followed, and  Kateri Tekakwitha’s life of prayer and faith inspire us to stand  for God’s plans for our lives.  In Icon class we read recently about “obedience” and how that played out in the lives of some of the prophets.

These Icons, saints and stories add richness to the fabric of our lives. They lend strength and hope to our everyday lives.  If you know of any good books or reading materials that focus on  miracles and stories of saints, please share those in the comments section of this blog.  Winter is coming and a good reading list will be a help to us all!

Here is a link to the “Icons and Their Interpretation” blog that tells the lovely story of Saint Irene and Her apples.  I think you’ll enjoy it!

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St. Irene

Another interesting link I’d like to share is about a contemporary Byzantine graffiti artist Fikos in Athens, from an interview in “The Orthodox Arts Journal.

Fikos
Greek Graffitti Iconographer Fikos
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Hippocrates by Fikos

 

 

 

 

 

 

 

 

 

Here’s a link to a description of a new Icon class I will be teaching in Philmont, NY this fall on Thursday evenings beginning Sept 15, 6-9PM

Upcoming Classes and RETREATS:

Holy Cross Monastery, West Park, NY:

June 16-18, 2017 Introduction to Icon Writing Class

March 21 – Friday, March 24 Advanced Master Class in Icon Writing

St. James Episcopal Church, Madison Ave. NYC

June 9-11, 2017  Introduction to Icon Writing

ADVANCED ICON WRITING CLASS IN ALBANY  Westminster Presbyterian Church

Monday evenings 6-9PM  New students beginning Sept. 19.

Be blessed, my friends, and keep us in your prayers, as you are in ours.

Christine Hales                      Icon Website             Contemporary Paintings Website

Fikos
I Was Born to Love Not Hate by Fikos

 

Heat Wave and Icons!

Hello Fellow Iconographers and Greetings:

Christine at the High Line Garden in NYC
Christine at the High Line Garden in NYC

Polar Bear Zinnia in Christine's garden in Hudson Valley
Polar Bear Zinnia in Christine’s garden in Hudson Valley

The month of July has been consistently hot and so beautiful here in the Hudson Valley. Although temperatures usually reach 90 degrees+ each day, Icons are still being created and the Monday night class keeps working right on throughout all!  Here’s a photo of Carol MacNaughtons’ Saint Michael in the process of being olifa-ed.

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Also, now some works in progress photos for the Saint Kateri and Saint Isaac Jogues I am working on for the RCDA new Mausoleum.  I love working large!

The Monday Night Advanced Icon writing class will be accepting new students after Labor Day: September 12.  Please email if you would like to begin at that time. christine@newchristianicons.com

Also, Starting a 10 week Icon Writing Class in the Hudson, NY area, Thursday evenings, 6-9PM, September 15- December 1.  email if you’re interested in attending: christine@newchristianicons.com

THE VALUE OF ICONS IN THE POST MODERN WORLD

Icons are conveyors of holiness, sacredness, beauty and God’s love for mankind. Because Icons are vessels containing these attributes, they are essential in the continuing formation of our society and culture.  In a world seemingly gone mad, they are light filled and providers of God’s peace and love.

Icons that are created in an atmosphere of prayer to God, and with training in art principles and spiritual discipline cannot help but provide a spiritual compass to those viewing them.  This kind Icon becomes a visible testimony of God’s grace as it blesses the creator and the viewer.

” There is a deeper realization of God’s Presence available to us.  Through the coming of Christ and the Holy Spirit, God wishes to dwell within us in a new way: not in a mode of which we are largely unconscious, or as a kind spiritual atmosphere in which we simply live and move and have our being (Acts 17:28), but as a lover and a friend. (Song of Solomon 5:10). God wants His Presence to be consciously experienced by us.”

Above quote from the The Glenstal Book of Icons, Praying with the Glenstal Icons, Gregory Collins OSB.

To be consciously experienced, it is helpful to have holy images that serve as reminders and point the Way, even when our minds are engaged in worldly activities. It only takes a few seconds to shift our perspective to God’s perspective – truly the secret to a joy filled life!

Face of Christ Icon written by C.Hales
Face of Christ Icon written by C.Hales

One last thing worth mentioning:  I attended the Kremer Pigments workshop on “Grounds” a through workshop on materials, conditions, and possible variations, and I would recommend it highly the next time they teach it. Kremer Pigments regularly gives classes and workshops on making paints and provides a wonderful resource of technical, hands-on information.

That’s all for this month.  Enjoy the beautiful summer and please keep me in your prayers, as you are in mine.

Blessings,

Christine

www.newchristianicons.com        www.christinehales.com     www.kingdomartsministry.com

www.halesart.com