Icons-Evolving As A Message for the Twenty-First Century

Dear Friends and Fellow Iconographers:

It is an exciting time to be writing Icons.  The inspiration of Andrei Rublev writing the great “Holy Spirit” Icon as a symbol for trinity-webunity – a unity that was so needed in his country at that time, is applicable to us all today.  What are the Icons our culture NEEDS?  What are the issues that need to be addressed in prayer and how can we make timeless images that can help to focus the prayer of a nation?

After attending the icon Workshop held at Wesley Theological Seminary in Washington DC, led by Philip Davydov, I am inspired even more to explore this idea of an American Iconography.  In light of the recent events in Charleston, SC. I feel an urgency to address the needs of our country in prayer and Sacred Imagery.

Dutch Sheets: “I have great hope for America because the depth of a fall never determines God’s ability to restore. I’m not afraid of the powerful strongholds because size and strength are completely irrelevant when measuring His ability to deliver. And I’m not intimidated because statistical odds, whether of success or failure, cease to be relevant when God is involved. His limitless ability negates the very concept of “odds,” and trumps all other winning hands.”

Just a short time before the Charleston shooting, a conference on painting Sacred icons the twenty-first Century was held, also in Charleston.

Here is a link to the “Living Tradition” Symposium organized by the Orthodox Arts Journal in Charleston, South Carolina.  The ideas expressed are interesting ones to thoughtfully consider. It’s my opinion that it would have been good to have some American women Iconographers as well as some of the talented Romanian and other InternationaI Iconographers present to represent their views as well.

In a recent article in The New Liturgical Movement, noted  Iconographer Aidan Hart wrote an article entitled “Diversity within Iconography – An Artistic Pentecost”. Here is an excerpt:

But where does the mean lie between unspiritual innovation on the one hand and mere duplication on the other? Genuine variety in liturgical art occurs when the iconographer unites spiritual vision with artistic ability – energized with courage and the blessing of God. Vision without artistic ability produces pious daubs. Not every saint can paint icons. Although icons are more than art, but they are not less than art.”

This is a blessed time to have such great artists and Iconographers working together to create an authentic sacred art for the twenty-first century.  I feel called to encourage community amongst iconographers, accepting our differences and celebrating our shared strengths. Very much like Pentecost, we can all receive the Holy Spirit but God will give each of us a language that can speak to our countries.photo 4

Locally, one of my students, and a member of the St. Luke’s Iconography Guild, Dahlia Herring, has transformed her contemplative approach to Iconography into action:

“A Refugee Art Exhibit- Resettling In Albany”

Through art work and written stories, the children from some of the most war-torn countries on earth, including Burma, Iraq and Afghanistan, express what it means to leave everything familiar and start a brand new life in the United States. These young artists eloquently and directly voice their hopes and disappointments, their fears and joys as the begin their new lives and education in Albany. The exhibit will be in the City Hall Rotunda until June 30th. You can find pictures of the Open House for this exhibit on FaceBook at https://www.facebook.com/USCRI.Albany. A Refugee Art Exhibit: Resettling in Albany was organized by the Capital Region Refugee Roundtable (co-chaired by Dahlia Herring) and the Albany Office of the US Committee for Refugees and Immigrants.

Also Local News:  Albany Icon Writing Classes Monday nights  June 22, NO CLASS June 29, . For July, Classes July 6,13, 27 ( No Class July 20.)

Also NOTE:  Another member of the St. Luke’s Iconography Guild discovered a pigment company in California that has good pigments at a reasonable cost. Worth looking into!  Agulis Pigments :agulisfarm@live.com

Look forward to hearing from you and have a blessed summer.

Christine

www.newchristianicons.com

www.christinehales.com

www.kingdomartsministry.com 

New Beginnings

Hello Friends and Iconographers:

Celebrating the end of a long cold winter by starting new Icons! I’m hoping to get started on my Saint Brigit, one of the most remarkable Irish Saints of the fifth Century,  by the first of May.  Brigit saw God in nature and was said to have believed the dew, particularly in the month of May,photo was holy and cleansing.

I’ve finished a Christ”Not Made with Human Hands” Icon that will be in an exhibition of my landscapes at the Chatham Bookstore, opening May 8.

_MG_2146 (1)We’re hoping the eight large – 4’x3′ Icons for Saint Vincent dePaul’s Church in Albany will be installed on Pentecost, May 24 this year.  I will send out an invite when it is finalized.

 

FEATURED ICONOGRAPHER  

Each month in this blog, I hope to feature an Iconographer and his/her work, so that we can become familiar with the depth and breadth of Iconography as it is being practiced today. This month’s featured iconographer is Peter Pearson, the author of “A Brush With God: An Icon Workbook”.  I always love seeing his recent Icons- truly  beautiful expressions of his life in prayer and community.

 

vladimir doc 3From Peter:      “For the last 45 years, Byzantine icons have been a passion and driving force in my life. I love looking at them, studying them, praying with them, and painting them. Even now, after all this time, I’m pretty sure I’ve only scratched the surface. Rather than seeing icons as some lost and tragically frozen art form, I see them as a dynamically evolving part of the Christian witness through the ages. They have been a part of my contemplative practice, especially in the painting. That’s the place where I dissolve and there is only the brush stroke and the prayer. Through the icons I paint, the books I have written, and the classes I teach, I get to share this amazing adventure with others and I love it.joseph finished
As an iconographer who uses contemporary materials (acrylic paints), I am often challenged to defend my practice and that’s a bit exhausting. The witness of the centuries testifies to the fact that in every age, iconographers have used many different media to created these holy images. For me, as well as for many others, the point is prayer and not what the paint is made of. Like one of my teachers, Phil Zimmerman always says: “You can make a religion out of anything, including eggs.” I prefer not to and it’s working for me.” 

4 revised (2)For information on his workshops and full bio visit Peter ‘s website : peterpearsonicons.com.

Just a passing news note: My FB friend Dylan Hartley posted that he and Aidan Hart are in Rome visiting the Pope in honor of an Icon Aidan did for him.  Praise God!  I’m so excited for them!

And lastly, I’m offering a weekend Introduction to Icon Writing retreat :

INTRODUCTION TO ICON WRITING June 12-14
Dates: June 12-14 Christian Community, 10 Green River Lane, Hillsdale, NY 12529
We will be writing the Saint Michael Icon in the Russian/Byzantine tradition with egg tempera and gold leaf gilding. We will be painting Archangel Michael.   Weekend Retreat: Starting Friday night 6-9PM, Saturday 9am to 5pm and Sunday 1-5PM Mid morning and mid afternoon break, lunch provided, It will be fast paced, with demonstrations and individual teaching instruction. Cost : $215.00 Includes meals and materials. To register email: Christine@newchristianicons.com, or chales@halesart.com.

“Those who have cleansed the eye of their soul and are capable of seeing beautiful things make the visible become a springboard for the contemplation of the spiritual”  Gregory of Nyssa

Blessings and love,

Christine

www.newchristianicons.com

www.christinehales.com

www.kingdomartsministry.com