Icons For Our Time


The Secret Supper (or The Last Supper) Todor Mitrovic (b. 1972)
Serbia, 2006
Egg tempera on wood panel

As I view FB posts and blogs about contemporary Icons there is a lot of talk about what is a “real” icon. There are as many different viewpoints as there are people! I think we all agree that icons cannot be relevant to only one denomination of Christianity . Nor can they stay stagnant in the past if icons are to be authentic to our time.

A current exhibition at the Museum of Russian Icons in Clinton, Massachusetts, is a wonderful collection of contemporary Orthodox iconographers from around the world that addresses some of these issues. Within this collection there is wonderful diversity and creativity. It shows that even within the Orthodox community of iconographers, some icons are more painterly and less formalistic than others.

For those who are not able to go in person to the exhibition, I include here some images and text from the exhibition materials. This is an important exhibition that can also be viewed online virtually on the website: Museumofrussianicons.org


Flight into Egypt
Stéphane René (b. 1954) Egypt, 2021
Egg tempera on wood

Icons For Our Time

 Icons for Our Time: Orthodox Art from Around the World, is an exhibition of 15 icons by some of the most important contemporary icon painters today.  New works by artists from Armenia, Belarus, Bulgaria, Cyprus, Egypt, Georgia, Greece, Japan, Montenegro, Russia, Serbia, the UK and the US have been specially commissioned for this anniversary exhibition. 

“There will be pieces by artists from all over the world – some are from Orthodox countries like Greece and Bulgaria, but there will also be works from Britain and Japan. Some of the artists identify as religious believers (Eastern Orthodox or other), some do not. Few of the icons strictly follow the traditional canon. As a curator, working with some of the big names in contemporary icon painting, I wanted to leave as much freedom as possible to each artist – so long as their work could be described, experienced, and felt as an icon.” Dr. Clemena Antonova, curator.


Cosmic Christ/Suffering Logos (Second Version)
Ouresis Todorovich (b. 1977) Greece, 2021
Mixed media on wood

Icons of Our Times will examine the spread of Orthodox Christian art through the medium of icons and explore three paradoxes: the icon as a living tradition, the icon as a signature feature of Orthodox Christianity, and the concept and relevance of the contemporary icon in modern culture.   

“These three paradoxes pose some immediate questions and problems for contemporary icon-painters, viewers of religious images, as well as to museums that exhibit religious art. Is the icon mainly a medieval art form, which we view inspired by our interest in history, in the same way that we experience an ancient Greek temple? Or is it a living, constantly evolving artistic tradition, which has the capacity to respond to the concerns and needs of our times? Is the icon inextricably tied to Eastern Orthodox Christianity? Can one create or experience an icon without any knowledge of Orthodox culture and theology? Does the icon make sense in a context stripped of religious meaning?”  


Holy Sophia
Vladislav Andrejev (b. 1938) United States, 2021
Egg tempera on wood

“These are not easy questions and very likely neither a conference nor the present exhibition will offer straight-forward answers,” continues Antonova. “What we aim to do with this exhibition is to create a space which provokes us to reflect on the meaning and function of icons for our times.”

On the Museum’s website are links to talks given by Dr. Antonova and also the link to the virtual exhibition. I’m so grateful for the Museum’s dedication to providing a forum for the appreciation of ancient icons as well as for the development of contemporary ones.


St. Tekle Haymanot
Christopher Gosey (b. 1962) United States, 2021
Acrylic and natural clay pigments on wood

As we enter this New Year, let us pray for each other, for God’s grace and Holy Spirit to enable us to do His work with great love, humility and brotherly love.

Christine Simoneau Hales

newchristianicons.com online.iconwritingclasses.com

  

An American School of Iconography

Greetings Fellow Iconographers:

Last Supper, School of A. Rublev
Last Supper, School of A. Rublev

This month I wanted to write about the idea of an American School of Iconographers.  Not a brick and mortar school, but a school in the Benedictine sense of a community of people who share values, beliefs, and common goals.  A school of people  who desire to learn from and support each other in the goal of painting Icons would , ideally, be comprised of diversity as well as commonality.

One of the tenets in the Iconographer’s Rules  that we all learn when starting to write Icons is “Never forget the joy of spreading icons throughout the world.”  Although Icon painting is often a solitary process, joining together in classes can help combat the undesirable effects of isolation and promote growth and learning.

Mother of God Hodegitria
Mother of God Hodegitria

Recently, during the stay at- home -order due to the corona virus, several online Icon classes have sprung up, and I suspect that we will see a lot more of these in the future. Will these replace the onsite icon classes taught by iconographers at colleges and monasteries?  No.  Live, in-person classes provide an opportunity for feedback, practice, and personal remedial direction, and that works hand in hand with on line classes at other times during the year.  The on line classes provide an ongoing way to practice drawing and painting that make the in person classes a valuable source of individual instruction.

Writing Icons is no simple task, as most of you have discovered.  Initially, a novice Iconographer is encouraged to copy Icons from before the sixteenth century.  This usually involves tracing the Icon, then transferring the image to a board and painting.  However, after a few years of this kind of practice, one can move on to learning to draw iconographically.  Drawing icons freehand, and learning the basics of sacred geometry composition are tasks for intermediate level iconographers.  Color theory comes next, along with practice, practice, practice.  It’s good to practice on watercolor paper, do studies, learn how to draw garments, and hands.  Then, drawing the face, understanding dynamic symmetry and theology of icons are tasks for advanced Icon classes.

Seraphim Drawing
Seraphim Drawing

There’s always so much to learn and it’s exciting to have such rich subject matter to explore.  When you add all this to the joy of growing closer to God through prayer, contemplation, and icon writing you have an absorbing and life giving practice.

Nun Juliana, Saint Peter Drawing
Nun Juliana, Saint Peter Drawing

Being an active member of a Church and faith community is essential to writing icons also.  Since God, theology and art are so intertwined in this process, it is important to have a spiritual director with whom to ponder and question how God wants to use this art form through your work.  Iconographers need to have an active prayer life and understand how Icons are used in contemplation and liturgy.

Nun Juliana Icon
Nun Juliana Icon

The American Association of Iconographers is a free association of Iconographers who share a common desire to be supportive to each other and grow in faith and icon writing.  We have a Face Book Group ( just search for American Association of Iconographers on Face Book) which you can join.  Anyone who is a member can post their ideas, questions, useful links, etc.  Because it is an Ecumenical group, we practice acceptance of both Orthodox and non Orthodox Iconography.  We usually don’t publicize or promote individual Iconographers’ classes, but instructional video links are acceptable for posting.

It Takes Time to Develop

There have been many developments and changes to the world, as well as to the world of Iconography over the last twenty years.  Similarly, it will take time to develop characteristics, attributes, and a standard for excellence in this field.

It will be helpful to see visual examples and hear of other Iconographers’ experiences in their locations regarding community, learning, creating a standard for quality and relevance.   Perhaps in the future we could have a virtual conference or series of meetings to discuss these topics.  Also, writing blogs for this group can be a way to share experience and perspective.

So far, the guiding principles are: The creation of a spiritually healthy, ecumenical, support group that promotes the practice of Icon sharing, learning, and promoting the love of Icons that can provide direction and possibly regulate a  set of guidelines for future Iconographers.

Please feel free to use the contact form below with suggestions, ideas, and possible submissions for blog posts.

May God continue to bless you in all that you say and do,

Christine Hales

New Christian Icons.com

 

 

Opportunity

The British Association of Iconographers is preparing for their annual exhibition in London this fall:

Saint Mark Icon , american Association of Iconography
Saint Mark Icon

‘Icons for Unity’   Thursday 15th to Saturday 17th  of November 2018 at
St Savior’s Church,  St.George’s Square, Pimlico London,   SW1V 3QW

“”There will be a fee of £5 for each icon entered and it will be possible for you to arrange the sale of your own icons with no sale commission due to the BAI.

After 1st May further details and registration forms (Intention to Exhibit form) for the event will be emailed by Rhian to those who have paid for hanging space. Please note all submissions must be made by 31stAugust 2018 to enable their inclusion in the catalogue

It is an exhibition for everyone and whilst the talent and expertise of the professional iconographers will always be discernible, the work of artists old and new to iconography will also be welcome. Please distribute the flyers included with this Review to publicise the event.

“We need members to help by preparing for the exhibition and as curators during the event. So please volunteer and make the event a great success………”

We offer the BAI as a means of maintaining contact between members and of providing them with support in their work and their devotions. We hope that it might be of benefit both to people who are interested in the use of icons in their spiritual life and to those whose interest is in icons as a sacred art form. The aims of the Association are to establish contact with iconographers, learners, beginners and those with a greater proficiency, to deepen our knowledge and understanding of icons and the spirituality associated with them (including Orthodoxy); to offer a forum for the interchange of ideas and techniques; to offer information about forthcoming exhibitions, courses or other events of interest and to be a means of sharing ideas and experiences. We produce a Review four times a year together with a meditation on the icon of a particular saint or festival. This includes the historical background and hymnody associated with the subject. We would also value any comments and ideas that you might have, in particular, any material that you think would be of interest to other members which we could include in the Review. If you would like to join, please write to the Membership Secretary (see Page 38)

We feel there is a risk that people practising this art form might feel isolated; if so do join BAI.

If you would like to become a member of BAI, it is fairly simple:  visit their website www.bai.org.uk and go to the contact page.  There are a few membership options to choose from and payment can be made through PayPal.

“I think it is promising that today we are witnessing a rebirth of Christian art,, reconnecting with the art the Icon, of a Christian art that endures in the great norms of the iconological art of theist but that also extends to today’s experiences and vision.”  Benedict XVIIcon highlights

ICON WRITING CLASSES  taught by Christine Hales at Holy Cross Monastery in West Park, NY:

Basic concepts of Icon writing, history and methods of painting will be demonstrated.   We will also have meditation and prayers on Mary as this is Mother’s Day Weekend and we will do a Mary Icon together.  Icons have played an important role in healing and bringing forth peace to nations, and there are many examples of Icons in Belarus, and Eastern Europe  that are attributed to healing miracles, often these are Mary Icons.   $580 includes Icon Materials, meals and overnight accommodations at the Monastery    $120 deposit

This is a special class. Beginners are welcome, and it is also for advanced Iconographers who want to learn more about color in Icons. We will cover color symbolism, color theory, the Iconographer’s palette, and more fun and in depth topics on color. We will write the Icon of Jesus as the Good Shepherd. If you have a different Icon you’d like to paint, email hales@halesart.com Christine with the image and you can work together before the class to make that possible. $580  Fee includes Icon Materials, meals and overnight accommodations.

This is the class when we discuss in depth the sacred geometry that is the foundation of Icon compositions.  Sacred geometry is a method of understanding the pictorial space and relationships of images and colors within the Icon and It is an essential part of an Iconographer’s training. There will be a slide talk one evening as well as hands-on exercises to demonstrate the concepts. We will endeavor to complete an Icon by the end of this workshop using sacred geometry.   $580 includes materials, overnight accommodation at the monastery and meals.

  • Contact
    Lori Callaway, Guest House Manager
    Email: guesthouse@hcmet.org
    Phone: 845-384-6660, ext. 1
    Tuesday – Friday
    9:00 AM until Noon
    1:30 PM until 4:30 PM

One more important item to share:  The Museum of Russian Icons in Clinton, Massachusetts has a Center for Icon Studies.  Their Journal of Icon Studies has some interesting articles on a variety of Iconographic topics.

Blessings and joy until next month,

Christine Hales

Icons   Fine art

Christian Courage

St Benedict Icon
St. Benedict Icon by Christine Hales

Greetings!

This month has been busy with writing Icons and teaching classes.  The Holy Cross Monastery Icon Retreat was wonderful, each participant wrote their own St. George Icon, and we had them blessed by Brother Roy on Sunday before Diurnum.  It is a wonderful place to study Icon writing since we are able to be part of each day’s morning prayer and Eucharist and share meals with the Brothers and other guests in the octagonal dining room over looking the Hudson River.  Truly a joy to teach there!

St. George Icon
St. George Icon

 

Icon Blessing
Icon Blessing at Holy Cross

The prayer of St. George: “Obtain for us the Grace of heroic Christian courage that should mark soldiers of Christ” Amen.

Icon Class at Holy Cross
Icon Class at Holy Cross

 

 

 

 

 

 

 

 

 

 

 

 

 

As many of you know, the Icon is a kind of synthesis of the spiritual truths and values of the Church.  It is much more than just a religious painting.  It is a meeting point between the Divine and the human heart.  It is a visible, created beauty, a place where prayer joins us to the image of God.  It truly is an honor and privilege to be called to this beautiful practice of writing Icons.

Here are two new ones I am working on – one of Our Lady of Guadalupe and the other a Transfiguration Icon.  Here are some work in progress photos:

Our Lady of Guadalupe in progress
Our Lady of Guadalupe in progress

Transfiguration Icon
Transfiguration Icon in Progress

The following is an important on line Iconographic Resource for those of us interested in the early Icons:

“In 1956, Professor George Forsyth, of the University of Michigan, invited Kurt Weitzmann, of Princeton University, to join him on an exploratory trip to Sinai. From 1958 to 1965, the University of Michigan, Princeton University, and the University of Alexandria carried out four research expeditions to the remote Monastery of Saint Catherine at Mount Sinai—the oldest continuously inhabited Orthodox Christian monastery in the world, with a history that can be traced back over seventeen centuries. The documentation collected by the Michigan-Princeton-Alexandria Expeditions to Mountain Sinai, under the direction of Professor George Forsyth (below, right) and Professor Kurt Weitzmann (pictured below left), is a profoundly important resource for Byzantine studies.”  (Quote from the website link below.)

This website displays all the color transparencies and color slides in the possesion of the Department of Art and Archaeology at Princeton. The online images are limited to a size of 1024 pixels. These images are available to download and use for teaching and scholarly purposes.

Here is a link to the Icons of Mt. Sinai that are documented through Princeton University.

Below are more Resources I’ve collected for you this past month:

Iconographic  Resources

Current Exhibition at the Museum of Russian Icons in Clinton, Massachusetts “Fantastic Beasts in Iconography”

Jacques Bihin , Iconographer  has posted on garments:  a Flickr post by Jacques Bihin on Garments that is helpful for drawing and painting garments

St. Luke’s Guild of Iconographers- a group of Iconographers who pray and write Icons- many of whom have studied with me.  Their primary focus is community through prayer and writing Icons.  Here’s a link to their Facebook Page

Praying a blessing over your Icon writing, until we meet again!

Christine Hales

Icon Website

Fine Art Website

Ministry Website

January New Beginnings

Dear Fellow Iconographers:

Even through the freezing temperatures and snow storms, Icons are still being made in New York!  I’m about half way through the series of large Icons for Saint Vincent’s Catholic Church in Albany.  There are eight panels, 4’x3′ in egg tempera with gold leaf gilding, _MG_9706__ (2) _MG_9698__ (2) photoof Holy people- some of them like Dorothy Day, Elizabeth Ann Seton, Louise De Marillac, Pope John XXIII, and Kateri, have not often been portrayed  through Iconography. It’s exciting!  And exactly what I’m interested in -creating Icons for contemporary (within the last 150 years) Holy people who perhaps have not had Icons created of them yet.  Here are a few work-in progress photos: Saints Louise de Marillac, Rose of Lima and St. Francis drawing, and Pope John XXIII.

CURRENT AND UPCOMING  ICON WRITING CLASSES

Albany: Ongoing Advanced Iconography Workshop, meets weekly, Monday evenings 6- 9pm, Our Savior’s Lutheran Church, Albany, NY

Hillsdale:  Christian Community Church, Hillsdale, NY, Beginning Icon Writing Class, Thursday evenings 6-9pm

New York City: Saint James Episcopal Church, NYC, Introduction to Icon Writing Retreat, Fri-Sun, February 20-22.  

photo 3

Troy, New York, Arts Center of the Capital Region, Introduction to Icon Writing Wednesdays 2-5PM, Feb. 25-March 25

The Museum of Russian of Icons is having an exhibition of Ethiopian Icons from January 23 through April 18.  We hope to have a field trip sometime in March.

EthiopiaX14-smallRecommended book of this month: Danny Silk: Culture of Honor-Sustaining a Supernatural Environment.

Until next month, Blessings and prayers,

Christine

Christine Simoneau Hales

Icons

Paintings