As I view FB posts and blogs about contemporary Icons there is a lot of talk about what is a “real” icon. There are as many different viewpoints as there are people! I think we all agree that icons cannot be relevant to only one denomination of Christianity . Nor can they stay stagnant in the past if icons are to be authentic to our time.
A current exhibition at the Museum of Russian Icons in Clinton, Massachusetts, is a wonderful collection of contemporary Orthodox iconographers from around the world that addresses some of these issues. Within this collection there is wonderful diversity and creativity. It shows that even within the Orthodox community of iconographers, some icons are more painterly and less formalistic than others.
For those who are not able to go in person to the exhibition, I include here some images and text from the exhibition materials. This is an important exhibition that can also be viewed online virtually on the website: Museumofrussianicons.org
Icons For Our Time
Icons for Our Time: Orthodox Art from Around the World, is an exhibition of 15 icons by some of the most important contemporary icon painters today. New works by artists from Armenia, Belarus, Bulgaria, Cyprus, Egypt, Georgia, Greece, Japan, Montenegro, Russia, Serbia, the UK and the US have been specially commissioned for this anniversary exhibition.
“There will be pieces by artists from all over the world – some are from Orthodox countries like Greece and Bulgaria, but there will also be works from Britain and Japan. Some of the artists identify as religious believers (Eastern Orthodox or other), some do not. Few of the icons strictly follow the traditional canon. As a curator, working with some of the big names in contemporary icon painting, I wanted to leave as much freedom as possible to each artist – so long as their work could be described, experienced, and felt as an icon.” Dr. Clemena Antonova, curator.
Icons of Our Times will examine the spread of Orthodox Christian art through the medium of icons and explore three paradoxes: the icon as a living tradition, the icon as a signature feature of Orthodox Christianity, and the concept and relevance of the contemporary icon in modern culture.
“These three paradoxes pose some immediate questions and problems for contemporary icon-painters, viewers of religious images, as well as to museums that exhibit religious art. Is the icon mainly a medieval art form, which we view inspired by our interest in history, in the same way that we experience an ancient Greek temple? Or is it a living, constantly evolving artistic tradition, which has the capacity to respond to the concerns and needs of our times? Is the icon inextricably tied to Eastern Orthodox Christianity? Can one create or experience an icon without any knowledge of Orthodox culture and theology? Does the icon make sense in a context stripped of religious meaning?”
“These are not easy questions and very likely neither a conference nor the present exhibition will offer straight-forward answers,” continues Antonova. “What we aim to do with this exhibition is to create a space which provokes us to reflect on the meaning and function of icons for our times.”
On the Museum’s website are links to talks given by Dr. Antonova and also the link to the virtual exhibition. I’m so grateful for the Museum’s dedication to providing a forum for the appreciation of ancient icons as well as for the development of contemporary ones.
As we enter this New Year, let us pray for each other, for God’s grace and Holy Spirit to enable us to do His work with great love, humility and brotherly love.
Christine Simoneau Hales