Preparing For Easter

Pascha!!

“Come then, let us run with him as he presses on to his passion. Let us imitate those who have gone out to meet him, not scattering olive branches or palms in his path, but spreading ourselves before him as best we can, with humility of soul and upright purpose. So may we welcome the Word as he comes, so may God who cannot be contained within any bounds, be contained within us...

Today let us too give voice with the children to that sacred chant, as we wave the spiritual branches of our soul: ‘Blessed is he who comes in the name of the Lord, the King of Israel. “ Saint Andrew of Crete

This month, as we all observe Lent in our prayer lives and churches, I have gathered a collection of Icons related to this season that encompasses the mystery and Passion of our Lord. If any of you readers have written icons on this theme, please send them in and I will post them on the FB page for the American Association of Iconographers.

Entry Into Jerusalem

Entry Into Jerusalem Icon by Christine Hales

“Seated in heaven upon Thy throne and on earth upon a foal, O Christ our God, Thou hast accepted the praise of the angels and the songs of the children who cried out to Thee: Blessed art thou that comest to call back Adam”. From the Kontakion for the Feast

The Holy Washing of the Feet, Icon

Romanian Icon 19th Century

Peter, the Apostle is seated on a bench, on the floor is a basin with water, Jesus has his mantle pulled up to keep it dry, Jesus is wiping the with a towel Peter’s right foot.

The other disciples are grouped on the right and left sides, some are loosening their sandals, Christ is the only figure shown with a halo.  Only two are shown without a beard, because of their youth.

This was a lesson in humility.  Christ says that he gave them an example to be imitated by them.

The Mystical Supper

“As a mystical event, the “Supper takes place at every Divine Liturgy or Eucharistic Feast.  “ Of Thy Mystical Supper, O Son Of God, receive me today as a communicant, for I will not speak of the mystery to thine enemies.”

A long table inside a house, usually Christ is seen in the center, his head inclines slightly to the right and with his right hand he blesses.  Peter is seated on the right side and John on His left side- Jesus rests his hand on John’s shoulder.  This is depicted in John’s Gospel, 13:23-24. Judas is stretching out his hand in order to dip his bread in  the dish.  Matthew 26:23

All the disciples are shown without halos.  Halos are not proper before Pentecost.  The disciples should not have their backs to the viewer.

The D shaped table  was first seen in the 6th century Ravenna mosaics.  Psychological perspective calls for Christ to be at the center of the table. ” ( Guide to Byzantine Iconography, Constantine Cavarnos)

The Crucifixion Icon

Crucifixion Icon by Christine Hales

The Bridegroom of the Church is transfixed with nails. The Son of the Virgin is pierced with a spear. We venerate Thy Passion, O Christ. Show us also Thy Gkorious Resurrection.

“The traditional Crucifixion icon is a hand-painted icon with the scene of Jesus Christ’s Crucifixion in the center of the composition. Christ is usually surrounded by the Blessed Virgin Mary, Mary Magdalene, St. John the Apostle, Longinus the Centurion, and several other onlookers. All the figures depicted in the Crucifixion icon show emotions associated with grief, but nothing suggests sound. Their mouths are not open, and the icon holds silence. Christ Himself is depicted with His eyes closed and His head bowed as if showing His last minutes of life on earth.

The composition of the Crucifixion icon also often includes an open cave with the skull and bones of Adam right at the bottom of the Cross. According to the legend, Adam’s bones, which had been buried under Golgotha by the descendants of Noah, appeared on the surface at the moment of Christ’s death due to a great earthquake that split apart the rocks. Christ’s blood flowed down from the Cross and on to Adam’s bones, bringing the redemption to the First Man and the whole human race.” to read more follow this link for The Russian Icon Blog.

Descent From the Cross Icon

Descent From the Cross Icon c. 1350

The Descent from the Cross Icon, sometimes called “The Deposition”, shows Joseph of Arimathea and Nicodemus taking Christ down from the cross after his crucifixion. The Gospel mentions women attending, probably Mary Magdalene, Mary, the Mother of Christ and Mary Salome alongside St.John.

The Lamentation

Lamentation Icon by Christine Hales

The aim of this icon is to impart the mystical, spiritual truth of the lamentation. The colors, the composition, and even the lines of the figures all lead the viewer upward, they raise our thoughts beyond the crucifixion to the upward movement of Christ himself and the Ascension. It’s a sacred and divinely inspired icon, full of truth and transcendence of emotions to the spiritual realm of faith and hope.

The Resurrection Icon

Resurrection Icon

The Icon of the Resurrection evokes the fragrance of immortality and the fulfillment of the reclamation of Adam and all who have come after. The simple truths are depicted without theatricality.

“Though Thou didst descend into the grave, O Immortal One, yet didst Thou destroy the power of hades, and didst arise as victor, O Christ God, calling to the Myrrh bearing women, Rejoice, and giving peace unto Thine apostles, O Thou who does grant resurrection to the fallen. ” Kontakion for Easter

The Resurrection brings light and joy to all creation. May Pascha, Easter, and Lent be Holy and blessed times for you all and bring joy to your hearts.

Until next month,

Christine Simoneau Hales

New Christian Icons Icon Prints Online Icon Writing Classes

Link to Register for Dr. George Kordis Lecture on Creativity in Iconography. You must register first, and the Lecture is scheduled for April 7, 2022, 7:30-8:30PM.

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Michael Hales

Michael- Mick-Hales is a chaplain in South West Florida as well as a world class photographer. His photography website is: mickhales.com where you will see many of his beautiful photos of gardens and architecture.