February Icon Resources

Hello Fellow Iconographers:img_5817

This month I would like to give you some  of my resources and links that have a lot of varied information about Icons and creating Icons. Some of these are repeats from last year, but thought you all might like to see them here in one place:

Materials/Pigments

Natural Pigments, Kremer Pigments, Daniel Smith, Guerra Paint and Pigment

These are some of my favorites, and if you’d like to leave a link in the comment section, I’m happy to add any others.

Icon Boards

Pandora, St. John’s Workshop, True Gesso Icon Panels

Icon Websites with Resources :

Versta-K Russia: Russian Modern Orthodox Icon Site: Lots of links and Russian Icon books for purchase

British Association of Iconographers

Icon Classes

Icon Master Class at Holy Cross Monastery, West Park, NY,    March 21-24, 2017          FB event 

Introduction to Icon Writing Classes: St. James Episcopal Church, Madison Ave, New York, NY  June 9-11

Prosopon School of Iconology

Article About Iconography

Also want to mention the article that came out in the National Catholic Reporter, Dec. 2016: “Iconography Classes Draw non Orthodox in Search of Spiritual Images”.  It is important because it draws attention to the current revival in Icon Writing classes as well as making the point that sacred images are of increasing importance to all denominations of Christianity.

“Experts say the growth in interest — and diversity of religions involved — has been building over the last couple of decades.”

“David Morgan, a religion scholar and art historian at Duke University, said the iconography tradition, which dates to the early centuries of Christianity, is designed to be distinct from more naturalistic art, which became more common in the Renaissance period.

The flatness of the image, its stillness, the large eyes of its figures and the often symmetrical style are all intentional ways of distinguishing between the ordinary world and a heavenly realm.

The two-dimensional image denies three-dimensional presence,” he said. “It says the spirit is not about three dimensions. It’s about a reality that is revealed in the image, revealed in the holy Scriptures, revealed in the sacrament, and it’s something that one needs to recognize as very special.”    There is more in the article and I have included the link above.

It is  hopeful and encouraging that many more people are experiencing the spiritual joys of Iconography. img_5944

I gave a talk this month at Church of the Redeemer, a beautiful Episcopal Church in Sarasota, Florida, that was well attended and the questions afterwards showed a lively interest and an awareness that Icons have the effect of strengthening our faith in many different ways.

I think that understanding our differences as Iconographers and agreeing on the important elements of Icon writing that we share are key to being part of a vibrant community.  Perhaps we can all include the community of Iconographers  in our prayers as we move forward in Faith as servants of God and His Church.

May God bless you all,

Christine

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January Icon News and Links

Sign up For Free Monthly Icon Blogs!    photo copy

The nice thing about writing icons is that whether it is “January Freeze” or “January Thaw”, you can usually manage things to be able to write icons for a few hours a day!

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My new “Christ” icon study has accompanied my prayers over the last two weeks in the area of inner healing.  Particularly  the idea that Christ came to FORGIVE us of our sins. That call for us also to forgive has been part of the prayer journey for this icon.  I really love it!  It’s almost finished now.

“The degree to which art has a liturgical quality is in direct ratio to the spiritual freedom of the artist.” from The Meaning of Icons by Leonid Ouspensky

I think that making twenty first century icons has to incorporate the Traditions of the Church as well as spiritual freedom.  Andrey Rublev in the Fifteenth Century being able to occupy that place of Spiritual freedom, training,  and artistic skill points toward what we aspire to today.     photo copy 6

The icon class I teach in New York is a spiritual and artistic container for the students and myself to grow in relationship to each other, God, and the icons.  It’s an honor to be able to serve such a courageous group of people.

The Art Center in Troy, New York is hosting a student/faculty exhibition of our icons later this month. Here’s the description and you are invited!

Contemporary Icon
January 31 – March 2, 2014 | Faculty Student Gallery
Reception: Friday, January 31, 5-9PM at Troy Night Out | Artist Demonstration at 6:30PM

              image001Master iconographer and faculty member, Christine Simoneau Hales will exhibit her icon paintings along with selected pieces from her past students.  Icon writing is a traditional method of painting that dates back to the ancient Byzantine era of using egg tempera, rare natural pigments and gold leaf gilding to create beautiful works of art. Hales takes the step-by-step method of classical painting and infuses it with contemporary inspirations all while keeping with the spiritual subjects found in these works on panel.

I came across the website that offers short introductory art and business classes that looks very good.  Here’s the  link:     Skillshare

Also a link for icon boards that I use and like: St. John’s Workshop.

One last quote from Ouspensky and The Meaning of Icons book to leave you with:

“For a true iconographer, creation is the way of asceticism  and prayer, that is, essentially, a monastic way.”

TO see a gallery of my completed icons visit my website, New Christian Icons. 

 

Blessings,

Christine Simoneau Hales